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Subject
News
September 30, 2026
'We Did Not Limit the Time for Questions'
The International Laboratory for Supercomputer Atomistic Modelling and Multi-Scale Analysis at HSE University held a major conference on molecular dynamics. Participants had the opportunity to attend all the presentations, while speakers were given as much time as they needed to answer questions. The HSE News Service interviewed Grigory Smirnov, Head of the Laboratory, and Genri Norman, Chief Research Fellow, about the conference preparations and the discussions it generated.
September 25, 2026
AI Users Earn Up to 41.8% More Than Non-Users
Research conducted by economists at HSE University has revealed a significant correlation between the regular use of GenAI in the workplace and higher pay among Russian employees. The study found that individuals who frequently use GenAI in their professional activities earn notably more than those who reject these new tools or resort to them occasionally. The salary premium for highly qualified specialists reaches 41.8%. The article was published in the Voprosy Ekonomiki journal.
September 24, 2026
‘Feedback and Constructive Criticism Are Essential in Our Profession
Vincent Fardeau, Associate Professor at HSE ICEF, has reached a major career milestone: he recently published his paper ‘Asymmetric Thin Markets’ in the Journal of Financial Economics, successfully passed his major academic review, and received tenure. In this interview, Vincent discusses the story behind the paper, explains the concept of asymmetric thin markets, and shares his advice for young scholars aiming to publish in top-tier journals.

 

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Техническое как посредник и соучастник в создании театральной иллюзии: медиальность в театрах Толстого, Пиранделло и Би-би-си 1

Новое литературное обозрение. 2023. Т. 180. № 2. С. 175–187.
Дергунова К. Н., Попова В. А.

In the article, Dergunova and Popova consider the theatrical illusion ensued by a variety of technical means and analyze the historical shift in the role of technology in the performative arts between the 18th and 21st centuries. From some aspects of Leo Tolstoy’s Rousseauist aesthetics to Luigi Pirandello’s playful treatment of reality in Sei personaggi in cerca d’autore and the contemporary practices of popular culture narrative assemblage as exemplified by the BBC One television series Staged, technology has come to mess with referentiality and confuse the audience in a cycle of illusion-building and illusion-breaking acts instead of stable reality effect maintenance.

Research target: Philology and Linguistics
Language: Russian
Full text
DOI
Keywords: театрмедиальностьmedialityтелесериалTV seriestheaterLuigi PirandelloЛ. Пиранделло
Publication based on the results of:
Литературность современных художественных медиа (2022)
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