Эстетика постановки натюрморта в акварельной живописи
Still-life painting from from nature, methods of its put-up and carrying out during a painting lesson is being described in the following article. Core of watercolor painting "a la prima" - painting during one session on a preliminarily moisted sheet of paper is being revealed. Stages of working with watercolor, its challenges and benefits are being described.
Studying of color palette in watercolor painting is being reported in the following article. To create an expressive image, out of the real world colors the artist chooses those that match his thoughts, feelings and artistic solution of a painting. Examples of tasks are being offered which help with the studying of color palette and auspiciously influence development of creative abilities, creative thinking of students, pupils and scholars.
Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from Nova Convention to documenta X, the new biennial blends the modalities of protest with a neoliberal politics of creativity.
This book examines a strained period for these high art institutions, a period when their politics are brought into question and often boycotted in the context of austerity, crisis and the rise of Occupy cultures. Using the 3rd Athens Biennale and the 7th Berlin Biennale as its main case studies, it looks at how the in-built tensions between the domains of art and politics take shape when spectacular displays attempt to operate as immediate activist sites. Drawing on ethnographic research and contemporary cultural theory, this book argues that biennials both denunciate the aesthetic as bourgeois category and simultaneously replicate and diffuse an exclusive sociability across social landscapes.
In given article the master - a class of water colour painting is told about a technique of carrying out and the organisation. Application in work the master - classes on water colour painting does a lesson evident, bright, remembered, that positively influences aesthetic development of rising generation, imparts love to the fine arts, to water colour art.