Феномен технологического. Гуманитарные аспекты /«Ошибка чтения». Цифровые музейные базы данных

Художественная культура. 2021. № 3. С. 564–599.

Соколов К. Б., Сиюхина А. М., Быканова Е. В., Спутницкая Н. Ю., Гуров О. Н.

The authors of the article reflect on the processes of technical modernization of modern culture and on the modern reflection on the increasingly active introduction of new technologies in the field of art and art researches. There is an increasingly widespread nature of creativity and the inevitability of a long-term adaptation of a person to the results of his own creativity — which is another round of the eternal conflict between the creator and the creation. The article also examines the era of the 1920s, when art was intensively turning to the motives of machine, technical, and automatic world, giving rise to various interpretations of the interaction of man and machine, man and automaton. The theme continues with an appeal to the images of the robot child in American cinema of the second half of the 20th — beginning of the 21th century and to the vast field of modern science fiction art, which analyzes the current prob‑ lems of civilization and, above all, communication systems — including the possibil‑ ity of mass infections, the phenomenon of parasitic organisms, dystopian patterns of social relations. The scientific and artistic discourses are in close interaction.

Keywords: semiotics of art, семиотика искусства, digital humanities, цифровизация, digital humanities, digitalisation