Лицевое Евангелие 1684 года из Архангельского собора Московского Кремля. К вопросу об источниках иконографии.
The article analyses the relationship of a prominent group of Russian artists, who were active from the 1860s to the 1890s, with the state institutions: the imperial Academy of Arts and with the Court.
This article explores the sociocultural situation of the Petersburg Cooperative of Artists (Artel) and the Peredvizhniki and in doing so interprets the nature of Russian realist (in many respects, populist) art through the prism of the new reality artists of the time faced: the commodification of art and the commercialization of art’s circulation and distribution.
The article describes different ways of visual representation of princely entries in medieval cities and towns.