Слоговая структура адыгейского языка
The paper presents a description and an analysis of the nominal complex, a peculiar construction which includes a noun and its modifiers, in West Circassian, a polysynthetic language of the Northwest Caucasian family. The nominal complex shows properties of a single word and tends to follow the template proposed for the word in West Circassian. However, its parts may themselves have a complex structure based on a similar template. This is argued to result from a principle that requires these subparts to be interpreted without appealing to a broader morphological context. In addition, the nominal complex may contain complex syntactic constituents as its proper parts. It is shown that the nominal complex in West Circassian is currently undergoing demorphologization and syntacticization.
The volume includes chapters devoted to various aspects of Caucasian languages.
This paper discusses the morphological and syntactic means of expression of participants in morphology and syntax of West Circassian (Adyghe) focusing on the argument vs adjunct characteristics of these means. West Circassian provide evidence for the non-discretness of the argument/adjunct contrast but also shows the necessity to distinguish between argument/adjunct properties in morphological expressions and in syntactic expressions.
The paper discusses two markers of negation in Adyghe (Northwest Caucasian). It is argued that their distribution has functional rather than formal motivation.
We discuss the data from Adyghe (Northwest Caucasian), Udi and Tanti Dargwa (Northeast Caucasian) related to the presence and absence of constraints on relativization from syntactic islands.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.