Binômes, opposition, répétition, contraste : les racines mythologiques des catégories esthétiques d’Ol′ga Frejdenberg
The article is devoted to the main theoretical ideas of Russian classicist Olga M. Feidenberg (1890-1955). During her lifetime under a press of Stalinist persecutions and defamation she had published a meager part of her works. And because of association with N.Marr, with whom she collaborated at the early stage of her career, her written heritage remained in oblivion until 1970s. An interest in her work was renewed among the Russian semiotics and about a hundred of posthumous publications of her works appeared since then in different languages, as well as about two hundred books, papers and dissertations devoted to her ideas and writings were printed. Although the basic material of Freudenberg’s researches was classical, her work had been comparative, and touched the ancient Orient, ancient India, the European Middle Ages, and primitive cultures as well. They were not limited to literature, but turned to philosophy, art, religion, mythology. Analyzing and summarizing the diverse and heterogeneous material, Freidenberg has created her own theory of cultural dynamics, creation and development of meaning and interchange of image and concept ("semantology"). She anticipated in her writings many of the achievements of Western philosophy and specific sciences, theory of Bakhtin, ideas of Jung,Cassirer, Levi-Strauss, cognitive methods of George. Lakoff. The article is an attempt to summarize one of the nodes of the theory associated with the concept of duality, of opposition, of parallelism and binary oppositions.
In this paper for the explain of the mechanism of formation of smooth strips (slicks) on the sea surface under the action of internal waves are used the film of surface-active substances, attendees everywhere in the sea. Experimental data on the real characteristics of marine films of surface-active substances are used for the calculation of histograms of contrast in the spectrum of wind ripples in the centimeter range for various parameters of the internal wave and wind wave lengths within the "film" mechanism of the effects of internal waves on the spectrum of wind-generated waves. It is shown that the ripple in the wavelength range 2-3 cm contrast weakly depends on the parameters of the internal waves (although with increasing internal wave amplitude), and the average number of 6-7 dB. For greater lengths ripple contrast is strongly dependent on the ratio of the rate of flow of water particles in the internal waves to the phase velocity of the internal wave. This dispersion deviations from average contrast values around the average value, which indicates a strong variation of contrast in each case. Nevertheless, it can be concluded relatively low sensitivity of "film" mechanism of action internal waves on the sea surface to a particular type of surface-active substances.
In the present paper the game theory is applied to an important open question in economics: providing microfoundations for often-used types of production function. Simple differential games of bargaining are proposed to model a behavior of workers and capital-owners in processes of formation of a set of admissible factor prices or participants’ weights (moral-ethical assessments). These games result, correspondingly, in a factor price curve and a weight curve – structures dual to production function. Ultimately, under constant bargaining powers of the participants, the Cobb-Douglas production function is received.
We understand a solution of a cooperative TU-game as the α-prenucleoli set, α ∈ R, which is a generalization of the notion of the [0, 1]-prenucleolus. We show that the set of all α-nucleoli takes into account the constructive power with the weight α and the blocking power with the weight (1 − α) for all possible values of the parameter α. The further generalization of the solution by introducing two independent parameters makes no sense. We prove that the set of all α-prenucleoli satisfies properties of duality and independence with respect to the excess arrangement. For the considered solution we extend the covariance propertywith respect to strategically equivalent transformations.
We consider a monopolistic firm that sells seasonal goods. The firm seeks the minimum of the total advertising expenditure during the selling period, given that some previously defined levels of goodwill and sales have to be reached at the end of the period. The only control allowed is on advertising while goodwill and sales levels are considered as state variables. More precisely we consider a linear optimal control problem for which the general position condition does not hold so that the application of Pontryagin's Maximum Principle may not be useful to determine a solution. Therefore the dual of the problem is studied and solved. Moreover, a necessary and sufficient condition for the feasibility of the primal problem is determined.
We characterize the graphs whose induced subgraphs all have the following property: The maximum number of induced 4-paths is equal to the minimum cardinality of the set of vertices such that every induced 4-path contains at least one of them. In this chapter we describe all such graphs obtained from simple cycles by replacing some vertices with cographs.
A new approach is proposed revealing duality relations between a physical side of economy (resources and technologies) and its institutional side (institutional relationsd between social groups). Production function is modeled not as a primal object but rather as a secondary one defined in a dual way by the institutional side. Differential games of bargaining are proposed to model a behavior of workers and capitalists in process of prices or weights formation. These games result, correspondingly, in a price curve and in a weight curve - structures dual to a production function. Ultimately, under constant bargaining powers of the participants, the Cobb-Douglas production function is generated.
The article considers the Views of L. N. Tolstoy not only as a representative, but also as a accomplisher of the Enlightenment. A comparison of his philosophy with the ideas of Spinoza and Diderot made it possible to clarify some aspects of the transition to the unique Tolstoy’s religious and philosophical doctrine. The comparison of General and specific features of the three philosophers was subjected to a special analysis. Special attention is paid to the way of thinking, the relation to science and the specifics of the worldview by Tolstoy and Diderot. An important aspect is researched the contradiction between the way of thinking and the way of life of the three philosophers.
Tolstoy's transition from rational perception of life to its religious and existential bases is shown. Tolstoy gradually moves away from the idea of a natural man to the idea of a man, who living the commandments of Christ. Starting from the educational worldview, Tolstoy ended by creation of religious and philosophical doctrine, which were relevant for the 20th century.
This important new book offers the first full-length interpretation of the thought of Martin Heidegger with respect to irony. In a radical reading of Heidegger's major works (from Being and Time through the ‘Rector's Address' and the ‘Letter on Humanism' to ‘The Origin of the Work of Art' and the Spiegel interview), Andrew Haas does not claim that Heidegger is simply being ironic. Rather he argues that Heidegger's writings make such an interpretation possible - perhaps even necessary.
Heidegger begins Being and Time with a quote from Plato, a thinker famous for his insistence upon Socratic irony. The Irony of Heidegger takes seriously the apparently curious decision to introduce the threat of irony even as philosophy begins in earnest to raise the question of the meaning of being. Through a detailed and thorough reading of Heidegger's major texts and the fundamental questions they raise, Haas reveals that one of the most important philosophers of the 20th century can be read with as much irony as earnestness. The Irony of Heidegger attempts to show that the essence of this irony lies in uncertainty, and that the entire project of onto-heno-chrono-phenomenology, therefore needs to be called into question.
The article is concerned with the notions of technology in essays of Ernst and Friedrich Georg Jünger. The special problem of the connection between technology and freedom is discussed in the broader context of the criticism of culture and technocracy discussion in the German intellectual history of the first half of the 20th century.