Cкорости речи носителей кубанского диалекта кабардино-черкесского языка: устный дискурс vs. чтения текста
The volume includes papers presented at the international symposium "Adyghe Philology".
This paper discusses the morphological and syntactic means of expression of participants in morphology and syntax of West Circassian (Adyghe) focusing on the argument vs adjunct characteristics of these means. West Circassian provide evidence for the non-discretness of the argument/adjunct contrast but also shows the necessity to distinguish between argument/adjunct properties in morphological expressions and in syntactic expressions.
The paper discusses two markers of negation in Adyghe (Northwest Caucasian). It is argued that their distribution has functional rather than formal motivation.
This work deals with the concepts that the speakers of the Ulyap variety of the Besleney dialect of the Kabardian language (Circassian<Northwest Caucasian) have about their language. Aul Ulyap is located in the Republic Adygea, and thus, all speakers of the Ulyap variety study Adyghe and Russian in school. Moreover, the sociolinguistic situation is complicated by the fact that speakers of both Adyghe and Kabardian languages consider themselves a single people that is called in both languages Adyg (not to be confused with adygehabze, the name for the Adyghe language).
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.