Образы вечного в ранней греческой мысли
The article discusses the key images of eternal which are typical for early Greek thought: the time of gods, the temporal status of the laws of nature, and the memorialization of the glorious deeds of the past. Along with the philosophical fragments, poetic, historical, and dramatic works are analyzed. Here the problematics of temporality and eternity was articulated for the first time. Thus, the explication of inherent images of eternal is extremely important for an understanding of ancient Greeks’ worldview, and for the further development of the concept of eternity in philosophy, history of ideas and intellectual history.
Papers of the International Conference on Classical Philology and Ancient Studies.
In the first part of the paper, I examine cases of acceleration of perception and
cognition and provide my explanation of the mechanism of the e®ect. The explanation
rests on the conception of neuronal temporal frames, or windows of simultaneity. Frames
have di®erent standard durations and yield to stretching and compressing. I suggest it
to be the cause of the e®ect, as well as the ground for di®erences in perceptive time
scales of living beings. In the second part, I apply the conception of temporal frames
to model observation in the extended time scales that reach far beyond the temporal
perceptive niche of individual living beings. Duration of a frame is taken as the basic
parameter setting a particular time scale. By substituting a di®erent frame duration, we
set a hypothetical time scale and emulate observing reality in a wider or a narrower angle
of embracing events in time. I discuss the status of observer in its relation to objective
reality, and examine how reality does change its appearance when observed in di®erent
Meaningful life is emotionally marked off. That’s the general point that Johansen (IPBS: Integrative Psychological & Behavioral Science 44, 2010) makes which is of great importance. Fictional abstractions use to make the point even more salient. As an example I’ve examined Borges’ famous fiction story. Along with the examples of Johansen it provides an informative case of exploring symbolic mechanisms which bind meaning with emotions. This particular mode of analysis draws forth poetry and literature in general to be treated as a “meaningful life laboratory”. Ways of explanation of emotional effect the art exercises on people, which had been disclosed within this laboratory, however, constitute a significant distinction in terms that I have designated as “referential” and “substantive”. The former appeals to something that has already been charged with emotional power, whereas the latter comes to effect by means of special symbolic mechanisms creating the emotional experience within the situation. Johansen, who tends to explain emotions exerted by the art without leaving the semiotic perspective, is drawn towards the “referential” type of explanation. Based upon discussions in theory of metaphor and Robert Witkin’s sociological theory of arts it is demonstrated an insufficient of “referential” explanation. To overcome a monopoly of “referential” explanation of emotional engagement, in particular, in literature, means to break away from the way of reasoning, stating endless references to “something else”, presupposing the existence of something already significant and therefore sharing its effects.
The article is concerned with the notions of technology in essays of Ernst and Friedrich Georg Jünger. The special problem of the connection between technology and freedom is discussed in the broader context of the criticism of culture and technocracy discussion in the German intellectual history of the first half of the 20th century.