"Афганская" тема в творчестве группы "Несмеяна"
The article is devoted to the interpetation of the events of the Afgan war (1979-1989) in the songs of the group "Nesmeyana"
The article shows the importance of philosophy Ricker for theoretical sociology. Perspectives of sociology associated with a combination of theories and theories of action events. Action theory developed in sociology and theory of events is not. Ricoeur philosophy - one of the possible intellectual resources in order to change this situation.
This article analyzes the theoretical approaches to the investigation of nostalgia in the social sciences. Nostalgia has become an important element of interaction of individual and social consciousness of the past. The concept of nostalgia needs theoretical conceptualization. Now it is used as a convenient metaphor that describes a complex range of emotional experiences associated with the past. This article provides an overview of current concepts of nostalgia and to comment on the further theoretical development of the concept.
The Soviet-Afghan war was one of the bloodiest conflicts of the Cold War. Afghanistan was not only the battlefield of the Soviet-American system competition, but was also a place of more or less violent Encounter between "modern" Soviets and "backward" Afghans.
Meaningful life is emotionally marked off. That’s the general point that Johansen (IPBS: Integrative Psychological & Behavioral Science 44, 2010) makes which is of great importance. Fictional abstractions use to make the point even more salient. As an example I’ve examined Borges’ famous fiction story. Along with the examples of Johansen it provides an informative case of exploring symbolic mechanisms which bind meaning with emotions. This particular mode of analysis draws forth poetry and literature in general to be treated as a “meaningful life laboratory”. Ways of explanation of emotional effect the art exercises on people, which had been disclosed within this laboratory, however, constitute a significant distinction in terms that I have designated as “referential” and “substantive”. The former appeals to something that has already been charged with emotional power, whereas the latter comes to effect by means of special symbolic mechanisms creating the emotional experience within the situation. Johansen, who tends to explain emotions exerted by the art without leaving the semiotic perspective, is drawn towards the “referential” type of explanation. Based upon discussions in theory of metaphor and Robert Witkin’s sociological theory of arts it is demonstrated an insufficient of “referential” explanation. To overcome a monopoly of “referential” explanation of emotional engagement, in particular, in literature, means to break away from the way of reasoning, stating endless references to “something else”, presupposing the existence of something already significant and therefore sharing its effects.