«Тунисской паша» Михаила Матинского. Публикация, вступительная статья и примечания Александра Лифшица
We publish here the complete tetx of the questionnaire concerning the state of the Russian Enpire which Diderot presented to Catherine II, followed by her replies. It is published following the manuscript found in the Prussian Archives in Berlin. An introduction presents the history of the different publications of the text, and of the Berlin manuscript.
In September 2012 Christie’s will present ‘Of Sand and Silk’, the first European solo-exhibition of the prominent Russian artist Alexander Volkov (1886-1957). The exhibition will be accompanied by a catalogue. Volkov was born in the Fergana valley into the family of a Russian military doctor. He achieved significant lifetime recognition for his depictions of Central Asia, his paintings uniquely combining cutting-edge Western painterly styles with the inspiration he drew from traditional Central Asian craftsmanship. Volkov loved his homeland passionately and often repeated: “One does not need the whole world. A small part will suffice”.
The book discusses the principal aspects of description of the East in the Western scholarly discourse as well as in art and literature. An analysis of the interpretations of the East by the West (and vice versa) and their historical evolution has emerged as especially important in the light of ongoing globalization, which has triggered the intensifi cation of ideological, religious, economic and cultural differences between the East and the West. The goal of the book is to distill a critical understanding of Orientalist / Occidentalist discourses and to question cross-cultural assumptions.
A major international conference, “Orientalism / Occi dentalism: The Languages of Cultures vs. the Languages of Description”, took place from September 23–25, 2010, in Moscow under the aegis of the Russian Institute for Cultural Research. The goal of the Conference was to discuss the principal aspects of description of the East (fi rst of all Asian but also African cultures) in the Western scholarly discourse as well as in art and literature. The idea of the Conference belonged to the current author who, in the Fall of 2008, enlisted the support of Prof. Kirill Razlogov, Director of the Russian Institute for Cultural Research, as a result of which the Institute played a crucial role in the following two-year preparations