Article
Соотношение вербального и визуального в манифестах русского кубофутуризма и британского имажизма 1913-14 гг.
Translation of Velimir Khlebnikov and Alexey Kruchenykh’s Victory Over the Sun with commentaries and closing remarks.
In addition to an exhaustive anthology with over fifty historical documents written between 1913 and 1964 translated directly from Russian - several of them previously unpublished - this publication includes essays and texts by Boris Groys, Manuel Fontán del Junco, Christina Kiaer, Ekaterina Degot, Fredric Jameson, Irina Leytes, Alessandro De Magistris, John Bowlt, Hubertus Gassner, Eckhart Gillen, Aage Hansen-Löve, Michael Hagemeister and Evgeny Steiner. (From the editorial review).
The facsimile reproduction of Victory Over the Sun, the Russian text faced with a parallel English translation. This new translation is by an erudite master of the word, Evgeny Steiner. Even the innovative language and humour of Victor Khlebnikov’s Prologue, written largely in neologisms, are captured in Dr Steiner’s English rendition, as are alliteration and sound patterns. (Publisher’s Forword).
The article discusses the narrative strategies in Benedikt Livshits’s One and a Half- Eyed Archer, in which one can distinguish, conditionally speaking, a “Gogolian” and a “Tolstoyan” principle. This determines the portraiture, in a more or less positive or negative light, of various major Futurists, such as David Burliuk, Aleksei Kruchenykh, Velimir Khlebnikov, Vladimir Maiakovskii, and other figures, such as Elena Guro, Igor’ Severianin and Nikolai Kul’bin.
Introductory essay to translation of Velimir Khlebnikov and Alexey Kruchenykh’s Victory Over the Sun with commentaries and closing remarks.
Translation of Alexey Kruchenykh’s essay The Biography of the Moon with commentaries and closing remarks.
The second publication of the international art center Kunsthaus Bregenz Arena (Austria).
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.