Смысловая роль интонации в поэзии и музыке
Intonation – is the most important music trait in poetry. Intonation includes all elements of a poem, it is responsible for voice increases and decreases (it means that intonation takes part in creation of melody of a poem), for pauses, for placing the phrase accents, for acceleration and deceleration of speech, that helps to mark the most significant elements. Intonation is a significant unit that can form and change the meaning.
F. Werfel about G. Verdi (based on the composition «Verdi. Novel of the opera») (by Zusman V. G., Zusman N. D.). In this paper the cultural opposition «Verdi - Wagner» is discussed. The opposition is described by the Austrian writer Franz Werfel in his «Verdi. Novel of the opera». Werfel compares the artistic world and the personality of the Italian composer Giuseppe Verdi with the German composer Richard Wagner. The author comes to conclusion, that the principle of melody, the power of an individual human voice expressed in the music of Verdi are much more important than the combined force of the instruments in the orchestra of Wagner.
The article is devoted to the analysis of pronunciation errors of students of Economics. Four groups of mistakes are listed, and different techniques to eliminate them are given.
Alchemical themes in one form or another have penetrated into various aspects of modern life. In our paper we will focus on modern music, taking for example the work of the famous Russian group "Orgy of righteous" and its leader Sergey Kalugin. Kalugin himself was personally acquainted with Evgeny Golovin and has undergone considerable influence of Golovin’s circle and creatively transformed these influences. The stages of his poetic and musical activities Kalugin divides in alchemical manner: first initial stage – Nigredo; second, lasting until now – Albedo. Alchemical motifs are richly represented in many songs of the group both indirectly (for example, "Path of the Crow"), and directly (for example, "Royal wedding", which is a musical variation of "Chemical wedding..." by J. Andrea). The paper suggests an analysis of the lyrics and the ideological background of the songs
The book is a study of the academic public presentation and its prosodic aspect.
The article deals with the role of intonation in a poetic text and the ways poets fix intonation in their work. In the beginning of the XX-th century intonation started to play the leading part in the Russian poetry while the traditional means of organization of poetic text were losing their relevance. Akhmatova used to call poets catchers of intonations. The analysis of Akhmatovas poem It is simple and its translation into English by Richard McKain shows what sort of changes tend to happen with the intonation of the original and how they affect the meaning.
The book aims to develop pronunciation and reading skills in English. It contains basic explanations of sound and intonation systems of the English language, rules of reading and notation. It is supplemented by exercises.
This paper focuses on problems of fixing and research of folk music. The study of traditional music is not possible using only musical recordings made with European notation system as tuning of traditional music can be different from that of modern European music. In the case of Viet and Muong folk music, for example, records in European notation can not represent microalteration. In addition, vocal techniques and timbre characteristics also are important objects of research, but research of this kind is impossible when using only hearing. Modern methods of analysis of the audio material can determine with high accuracy audio frequency, as well as can help in analysis of the rhythm and timbre characteristics
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.