Осмысление и создание поэтики символизма в творчестве Стефана Малларме
The paper analyzes certain key moments in the appearance of Symbolist poetics in the works of Stéphane Mallarmé, for whom the theoretical foundation for new ideas regarding art, and reflection on the nature and mystery of his own oeuvre were both of primary importance. Special attention is given to such essential articles of the poet as “Artistic Heresy. Art for everyone” , “The Crisis of the Verse”, etc., with a focus on the principal elements of his theory of the symbol, which led to the creation of a new poetic language.
The author refl ects upon the book The Sources of cultural-historical psychology: philosophical-humanitarian context by V. Zinchenko, B. Pruzhinin, T. Schedrina. Moscow, 2010.
There are many physiological and psychological factors, which are thought to affect performance on various cognitive tasks. Even phrasing of a task can change results dramatically. There are studies showing that verbal suggestions can increase performance on tasks such as Stroop test. Some findings show that suggestions can have automating and de-automating effect on cognitive processes. However, there is insufficient information about the influence of hypnotic and non-hypnotic suggestions on higher-order processing such as problem solving. Several authors link hypnosis phenomenon with top-down cognitive control, proposing for consideration of insight problem solving in this context. This paper aims to analyze current literature on the association between hypnosis and suggestions on the one hand and cognitive control and creative problem solving on the other. The effect of hypnotic suggestions on insight problem solving is also investigated by looking at cognitive control.
The article is devoted to the analysis of Andrei Bely's "Symbolism" (1910) as a reflection of the ideology characteristic of "Musaget" publishing house.
The authors of the book attempt to reflect upon the various aspects of diverse influences between the art of the nineteenth and that of the twentieth century. The artistic dynamic evolution is seen as a multi-level process, where one percieves opposition and inspiration, innovative achievements and lasting inertia. Apart from the analysis of separate works in painting and architecture, the reader will find in this book certain notions regarding literature, cinema and TV.
The article analyzes poetological motifs and images that compile an independent metapoetic plot in Goethe’s “West-Eastern Divan”. From the point of view of the author of this article, the unity of the book is determined by means of the subject motif of the "oral", "stated" word. This Word becomes the cornerstone of both the natural "living» form (Gestalt) and the poetic form. Thus on the border of different cultures Goethe creates his art conception which eliminates the distinction between an eastern poetic word constructed on hints and allusions escaping its exact definition and western plastic form of a symbol.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.