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October 30, 2026
‘This Format Turned Each Presentation Into a Collaborative Effort to Assess the Robustness of the Study
On October 16, 2026, HSE ICEF hosted the Eighth International Conference on Applied Economics. Held fully on-site, the conference brought researchers from HSE University, the New Economic School, Wuhan University, and Shandong University together in Moscow. The programme was organised around three overarching themes— ‘Environment, Resources and Policy,’ ‘Migration, Labour, and Communication,’ and ‘Consumption, Behaviour, and Climate—offering an opportunity to see how similar economic mechanisms operate in China, Pakistan, the United States, and Russia.
October 23, 2026
‘I Always Conduct Research on Topics That Genuinely Matter to Me
Anastasiia Deeva studies the socio-economic consequences of excess weight in Russia. In an interview for the Young Scientists of HSE University project, she spoke about why beauty cannot be measured, her desire to write a novel, ‘Dostoevskian’ burnout, and working at the hotel where The Shining was filmed.
October 19, 2026
'Cultural Studies Seeks to Understand What Lies Beneath the Surface of Everyday Things'
Maxim Zhiganov has been exploring different aspects of sound for many years—first in relation to his native Perm and then on a broader, global scale. In this interview for the HSE Young Scientists project, he talks about sound maps, the special issue of the journal Logos, and why it is important to make the familiar less clear and obvious.

 

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Принципы «музеефикации современности» и актуализации художественного наследия в отечественных институциях 2000–2020-х годов

Декоративное искусство и предметно-пространственная среда. Вестник РГХПУ. 2024. Т. 2. № 1. С. 99–116.
Pyrkina D., Staruseva-Persheeva A.

The article is devoted to the problem of institutional construction in field of contemporary art in Russia. The authors analyze main di rections of development of the art system, history of its formation and principles of organization, where one of the key topics is relat ing classical and contemporary art. The article discusses the reasons why a full-fledged museum of contemporary art has not been devel oped in the Russian context and what structures have taken on its system-forming functions. Authors identify several approaches to the «museumification» of contemporary artistic practices and their representatives with classical museum collections.

Research target: Art History
Language: Russian
Keywords: современное искусствомузейExpositionRussian artинституциональная теория contemporary artmuseuminstitutional theoryкураторствоBiennialsCuratorshipотечественное искусствоart of the XX centuryart of the XXI centuryвыставочная деятельностьбиеннале искусство XX векаискусство XXI века
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