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News
July 20, 2026
Scientists Create Open Dataset for Studying Concentration
A team of Russian researchers, including scientists from HSE University–St Petersburg, has developed the first open multimodal dataset containing recordings of brain activity, heart function, and video observations to help researchers understand what happens in the human brain during deep concentration. In the future, the dataset could accelerate the development of neural interfaces, rehabilitation technologies, and AI systems. The article has been published in Scientific Data.
July 20, 2026
‘Science Is Universal-It Knows No Borders
Fuad Aleskerov, Tenured Professor and Director of the International Centre of Decision Choice and Analysis at HSE University, together with his colleagues, has developed methods of network analysis in bibliometrics that have made it possible to identify patterns in the appearance and citation of publications in academic journals, as well as their influence on each other. When one or a number of studies are frequently cited by a wide range of journals, this is an indicator that the research is of high quality. By contrast, extensive cross-citation within a limited group of journals increases the likelihood of identifying a network of predatory publications.
July 20, 2026
Scientists Propose Method for More Efficient Resource Use in Machine Learning
An international group of researchers, including mathematicians from the AI and Digital Science Institute at the HSE Faculty of Computer Science, has provided a theoretical justification for a simple and computationally efficient method of estimating uncertainty in Stochastic Gradient Descent (SGD). The paper has been published on the scientific preprint server arXiv.org and presented at AISTATS 2026.

 

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Преломление натурфилософских взглядов Николая Кузанского в творчестве братьев ван Эйк

С. 58–68.
Забродина Е. А.
Language: Russian
Full text
Keywords: Jan van EyckЯн ван ЭйкHubert van EyckNorthern Renaissance Artсеверный РенессансNicholas of CusaНиколай КузанскийХуберт ван Эйк

In book

Проблемы теории и истории искусства Нового и Новейшего времени: опыт естествознания и эволюция жанровых форм
М.: [б.и.], 2017.
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Трансформация образа сада в творчестве художников Брюгге XV – начала XVI веков
Забродина Е. А., В кн.: Сады на бумаге. Текст и образ.: М.: Издательский дом ТОНЧУ, 2025. Гл. 6 С. 76–95.
In early Netherlandish painting, the garden image was associated with the representation of paradise, as well as with the monastic practice of cultivating a garden, which existed since the era of early Christianity. In addition, since the appearance of the first chivalric novels, the garden has been associated with the search for a love object. ...
Added: May 6, 2026
Мариенфельдский алтарь Иоганна Кербеке: влияние нидерландских художественных школ на живопись Вестфалии в XV веке
Забродина Е. А., Искусство Евразии 2026 № 1(40) С. 110–141
Статья посвящена исследованию Мариенфельдского алтаря работы Иоганна Кербеке, одного из первых художников Вестфалии XV века, в творчестве которого отчетливо заметно влияние художественных школ южных Нидерландов, связанных с именами Робера Кампена, Рогира ван дер Вейдена и Яна ван Эйка. Его предшественники в землях нижнего Рейна, также оказавшие влияние на Кербеке, — Стефан Лохнер и Конрад фон Зост — во ...
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Взаимодействие вербального и визуального текста в творчестве братьев ван Эйк и Рогира ван дер Вейдена: выявление позиции зрителя
Забродина Е. А., В кн.: Актуальные проблемы теории и истории искусства: сб. науч. статей. Вып. 7.: СПб.: Издательство СПбГУ, 2017. С. 555–563.
Although the use of labels in visual arts has millennia of practice, it was the brothers Van Eyck and Rogier van der Weyden who managed to intertwine verbal and visual aids in their work in such a unique way as are the sources of written texts that include prophecies, apocrypha, “Golden legend”, “Imitation of Christ”, the words of ...
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The subject of this research is the processes that unfolded in the spiritual sphere of the Netherlandish society of the XV century, which can be assessed by the treatises of the prominent philosopher and figure of the Catholic Church Nicholas of Cusa (1401-1464), as well as by the images, scenes, artistic techniques used by Netherlandish ...
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The most tragic emotions were perceived usually as antisocial in the Middle Ages. There was often the link between the emotions and the seven dead sins. However, the perception of these emotions could change under the influence of the situation. Sometimes tragic emotions could become logical or even useful for an individual. This aspect in ...
Added: October 5, 2024
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