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October 30, 2026
‘This Format Turned Each Presentation Into a Collaborative Effort to Assess the Robustness of the Study
On October 16, 2026, HSE ICEF hosted the Eighth International Conference on Applied Economics. Held fully on-site, the conference brought researchers from HSE University, the New Economic School, Wuhan University, and Shandong University together in Moscow. The programme was organised around three overarching themes— ‘Environment, Resources and Policy,’ ‘Migration, Labour, and Communication,’ and ‘Consumption, Behaviour, and Climate—offering an opportunity to see how similar economic mechanisms operate in China, Pakistan, the United States, and Russia.
October 23, 2026
‘I Always Conduct Research on Topics That Genuinely Matter to Me
Anastasiia Deeva studies the socio-economic consequences of excess weight in Russia. In an interview for the Young Scientists of HSE University project, she spoke about why beauty cannot be measured, her desire to write a novel, ‘Dostoevskian’ burnout, and working at the hotel where The Shining was filmed.
October 19, 2026
'Cultural Studies Seeks to Understand What Lies Beneath the Surface of Everyday Things'
Maxim Zhiganov has been exploring different aspects of sound for many years—first in relation to his native Perm and then on a broader, global scale. In this interview for the HSE Young Scientists project, he talks about sound maps, the special issue of the journal Logos, and why it is important to make the familiar less clear and obvious.

 

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Что слышит поэт? Бродский и поэтика перекличек

M. : Языки славянской культуры, 2022.
Степанов А. Г.

Why did the poet, starting a poem, ask M. L. Gasparov, chooses this particular size, and not another? The purpose of the book is to show that a poem often arises as a response to another poem, which the poet may not guess. Meanwhile, the verse form "remembers" its pretexts. The sections of the book, formed from independent articles, are united by a common plot — rhythmic roll calls that connect Brodsky's poems with the poems of predecessors,
contemporaries and poets of the new generation. Getting into someone else's diction, to recreate the intonation of the predecessor means to continue communicating with someone who was and remained a poetic interlocutor for the author. The book is addressed to specialists in the poetics of verse, Russian poetry, students and undergraduates of philological faculties, as well as anyone interested in the semantics of the poetic form.

Research target: Philology and Linguistics
Language: Russian
Sample Chapter
Text on another site
Keywords: поэтикастиховедениеИосиф Бродскийритмические переклички и заимствования
Что слышит поэт? Бродский и поэтика перекличек
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