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Практики изображения смерти и умирания в российском кинематографе 1920-х
Коммуникации. Медиа. Дизайн. 2022. Т. 7. № 4. С. 166–181.
Malchenko A.
The article examines the ways in which death and dying are represented in Russian cinema of the 1920s and how visual aspects and thematic frames are formed in the depiction of the dead, corpses, and wounded bodies, dying and murdered people.Tragic endings were a characteristic feature of the first Russian films released before the revolution, but for all their obsession with gloomy plots, they were not visually straight forward. The purpose of the article is to analyze how the ways of addressingthe theme of death were born in Russian cinema and how they were transformed with the advent of the revolution.
СПб.: Фонд "Международный Фонд поддержки социогуманитарных исследований и образовательных программ", 2025.
Междисциплинарный коллектив исследователей кино, ежегодно проводящий научную конференцию «Кино как действительность» (прошла 2-3 июля 2025 г. в Социологическом институте РАН - филиале ФНИСЦ РАН), представляет сборник статей о роли экрана в формировании социальной реальности. В центре внимания авторов - киновзгляд как способ производства и закрепления смыслов через режимы видения, репрезентации, монтаж образов, институциональную организацию проката ...
Added: October 24, 2026
Kavtaradze S., Коровин И. Ю., Царин В. Е., Журнал ВШЭ по искусству и дизайну 2026 № 11 (3|2026) С. 122–211
The article is dedicated to the history of the design and construction of the Metropol Hotel building in Moscow, primarily its facades. This Art Nouveau monument has become a kind of manifesto of this Russian variant of the style, which involved the most famous architects and artists of the time. It is generally accepted at present ...
Added: October 20, 2026
Zabrodina E., Academia. Журнал об искусстве и истории искусства 2026 № 3 С. 489–506
The iconographic theme of the Virgin among the Virgins gained popularity in Early Netherlandish painting in the last third of the fifteenth century, appearing in the works of Hans Memling and Hugo van der Goes, as well as in altarpieces by anonymous Bruges masters, such as the Master of the Legend of St Lucy. It ...
Added: October 19, 2026
Zenkin S., P.: Classiques Garnier, 2025.
In the 19th and 20th centuries, visual image (painting, sculpture, photography, etc.) can often be a character in literary and film plots, an element of the fictional world. Its narrative forms and functions are explored from a theoretical and comparative perspective. ...
Added: October 13, 2026
Поликарпова Д. А., Социологическое обозрение 2026 Т. 25 № 3 С. 432–441
This article is a review of Natalia Samutina's collection of texts «This Music is Too Beautiful: texts on cinema and more» (Moscow: Novoye Literaturnoye Obozrenie, 2025), edited by the author's colleagues, Boris Stepanov and Irina Kaspe. Considering the volume as a «seismograph of time», the author reconstructs the intellectual context of Russian film theory in ...
Added: October 4, 2026
Двоскин А. С., Коммуникации. Медиа. Дизайн 2026 Т. 11 № 3 С. 83–104
The article examines multisensory technologies in contemporary VR and XR art. The relevance of the study is determined by the fact that such technologies are increasingly used not only to intensify the viewer’s experience, but also to model the experience of another body. The aim of the article is to show which sensory and technological ...
Added: October 1, 2026
Cambridge Scholars Publishing, 2026.
This collection of papers explores the epic traditions of the ancient Near East and Eastern Mediterranean, bringing together insights from remarkable scholars. Topics range from the cuneiform epic of Erra to Homeric epics and Greco-Roman literature, shedding light on the role of epic texts in shaping collective identities and understanding ancient societies. The validity of ...
Added: September 28, 2026
Malich K., СПб.: Мастерс, 2026.
Ludwig Mies van der Rohe: The Limits of Control / K. Malich. — St. Petersburg: Masters, 2025. — 44 p.: ill. — (one cup book). Series: one cup book. Study guide. 16+. Recommended for students of design and art history, as well as the general public. The three masters featured in this series shaped the ...
Added: September 21, 2026
Malich K., СПб.: Мастерс, 2025.
Le Corbusier: Light, Concrete, and Asceticism / K. A. Malich. — St. Petersburg: Masters, 2025. The three masters featured in this series shaped the history of 20th-century architecture. Each possessed a distinct creative logic, and each influenced our understanding of what modernism is. The architect Charles-Édouard Jeanneret-Gris—who adopted the pseudonym Le Corbusier in 1920—appears as ...
Added: September 21, 2026
Malich K., СПб.: Мастерс, 2026.
The three masters featured in this series shaped the history of 20th-century architecture. Each possessed a distinctive logic of creative thought, and each influenced our understanding of what modernism is.
Alvar Aalto was a Finnish architect who stood at the forefront of modern architecture and defined the vocabulary of modernism alongside Le Corbusier, Ludwig Mies van ...
Added: September 21, 2026
Шипи Э. А., Kozhemyakin E., Обсерватория культуры 2026 Т. 23 № 5 С. 548–557
This article examines the synthesis of semiotic analysis and Roman Jakobson’s translation theory in the study of film remakes. By comparing L.I. Gaidai’s original film "Ivan Vasilievich Changes Profession" (1973) with its modern adaptation "Ivan Vasilievich Changes Everything" (2023), the study identifies the mechanisms of cultural and semiotic transformation involved in the "translation" of a film text ...
Added: September 15, 2026
Chunikhin K., Искусствознание 2026 № 2 С. 250–275
The article explores the unique role of American visual art in Soviet culture. ...
Added: September 10, 2026
Суворова А. А., Kazantseva E., Podlednov D., СПб.: Алетейя, 2026.
The authors of the monograph examine three aspects of the phenomenon of marginality in artistic culture from the nineteenth to the early twenty-first century. The first part of the volume focuses on the processes and actors of the “borderlands” in the context of art and culture of the late nineteenth and early twentieth centuries. The ...
Added: September 3, 2026
Boston: Academic Studies Press, 2026.
This volume is a product of the conference “Proizvodstvo, Dokumentatsiia, Interventsiia. Proizvedeniia iskusstva v usloviiakh neofitsial'noi sovetskoi kul'tury 1960-80-kh gg.” (Production, Documentation, Intervention. Works of art in the conditions of unofficial Soviet culture, 1960s-1980s), organized by Ilja Kukuj and Brigitte Obermayr at Munich University (LMU) in November 2018. The conference was financed by Professor Riccardo ...
Added: August 28, 2026
Golovlev A., Научный вестник Московской консерватории 2026 Vol. 17 No. 2 P. 352–357
Vincenzina C. Ottomano’s Quando l’opera russa diventò europea is an ambitious and carefully argued study of the reception of Russian opera in Italy and France from the 1870s to the first decade of the twentieth century. The book examines how Russian operatic works were reframed by critics, impresarios, patrons, and institutions and transformed into cultural ...
Added: August 19, 2026
Бейн П. В., Дубровская Д. В., Zinchenko S. et al., Институт востоковедения РАН, 2026.
Contrary to Antoine de Saint-Exupéry's assertion that "the most beautiful thing in the stars, houses, and deserts is what the eyes cannot see," the authors of this monograph dispassionately test the harmony of beauty in the East through the algebra
of scientific analysis, continuing the work of their first book, "The Beautiful and the Utilitarian: From ...
Added: August 14, 2026
Borzenko V., Театралис, 2025.
Творчество Бориса Васильевича Щукина – одна из интереснейших страниц в истории сценического искусства, а для Театра им. Вахтангова и вовсе целая веха, прославившая коллектив в 1920-е – 1930-е годы. Его судьба прослеживается подробно с самых первых лет интереса к театру, участия в любительских кружках подмосковной Каширы, поступления в Вахтанговскую студию и до последних лет жизни. ...
Added: August 6, 2026
Irina A. Afanaseva, Pavel S. Sorokin, October 2026 No. 196 P. 69–79
This article examines the development and cultural significance of NFT art in Russia, framing it through the sociological lens of “neo-structuration” theory — a framework that foregrounds individual agency as a driving force within evolving social and technological structures. The authors argue that NFTs have emerged in Russia as a means for young and independent ...
Added: July 28, 2026
Цунтаева А. Д., Novikova A., Этнографическое обозрение 2026 № 4 С. 122–142
This article analyzes contemporary audiovisual representations of Dagestan culture and demonstrates how documentary filmmakers, bloggers, and journalists reproduce and reimagine approaches to public visual anthropology. Against a backdrop of profound sociocultural transformations, contemporary films capture the tension between collective norms, patriarchal notions of gender roles, and individual strategies of self-definition. The empirical basis of the ...
Added: June 2, 2026
Kaspe S. I., Социологическое обозрение 2026 Т. 25 № 1 С. 112–144
The political is intimately bound to death. It is precisely in the horizon of death that the primary need for politics arises, and all the variations of the ways of satisfying this need, from the ancient to the contemporary, may be considered within the same horizon. In particular, there is the question of immortality — ...
Added: March 28, 2026
Двоскин А. С., Артикульт 2025 № 4(60) С. 46–56
The article explores the phenomenon of bodily co-presence in the context of the sensory turn and multisensory artistic practices. It examines the philosophical and cultural premises of the shift from ocularcentrism to embodied perception – from Maurice Merleau-Ponty’s phenomenology and Michel Serres’s concept of sensuous experience to the sensory culture theories of David Howes and ...
Added: March 27, 2026
Lagutina I., , in: Австрийская литература: история, поэтика, восприятие = Osterreichische Literatur: Geschichte, Poetik, Rezeption. Bd. 16(2023/2024).: Peterburg. XXI VEK, 2025. Ch. 1 P. 8–28.
This article offers a comparative reading of Fyodor Sologub’s novel Heavy Dreams and Franz Kafka’s novella The Metamorphosis, focusing on claustrophobic poetics as a central aesthetic response to early modernity. Drawing on the concept of a “claustrophobic modernity”, the study examines how both authors articulate experiences of spatial compression, existential suffocation, and the erosion of ...
Added: March 11, 2026
Starovoytenko E. B., Исакова О. В., Мир психологии. Научно-методический журнал 2025 № 4(123) С. 31–58
The article provides a personological substantiation of the way to achieve and strengthen the self-identity of the Self as a subject of bodily movements. The article emphasizes the value of life-in-movement, possibilities of which can be revealed and potentiated by the personality in relation to the Self – bodily movement, in particular, in its reflexive ...
Added: January 16, 2026
Obukhov A., Гузеева А. А., Фрейчко П. В., М.: Издательский дом НИУ ВШЭ, 2025.
Монография посвящена известному, но малоизученному феномену культуры детства — фантазийным играм детей в страны-утопии и воображаемые миры. Исследование, опираясь на предшествующие работы о подобных детских играх, отображенных в художественной литературе биографического характера, раскрывает их феноменологию на конкретных примерах. Трудность изучения фантазийных игр во многом связана с их потаенностью от взрослых, а также локальностью бытования в детских сообществах ...
Added: September 27, 2025