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«Способ говорить»: заумь и проблемы транскультурной коммуникации в парижских текстах Ильи Зданевича и Бориса Поплавского
С. 365–381.
Д. В. Токарев
L’article est consacré à l’étude d’une communauté informelle émigrée qui fut décrite dans le roman de Boris Poplavsky Apollon Bézobrazov (1926–1932). Moulé sur le groupe de poètes avantgardistes avec Ilia Zdanévitch (Iliazd) à sa tête, cette communauté invente une nouvelle « «façon de parler» qui réalise l’idée d’une langue du futur, proche à la poésie transmentale, le zaoum. On explore avant tout l’aspect pragmatique du fonctionnement de cette langue dans un environnement étranger.
Chaban A., В кн.: Эго-документ в культуре Серебряного века: Исследования и публикации.: ИМЛИ РАН, 2025. С. 199–212.
The article reconstructs the work by S.K. Makovsky, “On Parnassus of the Silver Age,” using his memoirs. Makovsky’s notebooks show that one of the crucial sources of his memories was the poems, which, however, have significant specifics. The comparison of extracts with the real place of their publication shows that Makovsky did not use direct ...
Added: February 26, 2026
Chaban A., Strizhkova D., Slovĕne 2025 Т. 14 № 1 С. 342–369
The article is devoted to the novel by N. Berberova “Tverdotrubov” (1930). In the first publication the text had the subtitle «To the cycle “Billancourt Holidays”», but in the 1970-1990s Berberova deliberately did not include this text and never publishes it again (unlike other stories). The reconstruction of the creative history of the cycle demonstrates, ...
Added: September 19, 2025
Chaban A., Slavic Literatures (ранее - Russian Literature) 2024 Т. 144-145 С. 161–186
The article is based on the rough papers of the S. Makovsky’s essays about N. Gumilev. Article investigates strategies of the author’s interaction with the public sphere of Russian emigration and the ways of representation of the Gumilev’s image. Numerous edits and frequent absence of references to sources shows, that the author perceived the memoirs ...
Added: July 25, 2024
Plungian V., Труды института русского языка им. В.В. Виноградова 2022 № 3 (33) С. 11–35
В статье исследуется метрический репертуар Игоря Чиннова (1909–1996), одного из наиболее виртуозных русских поэтов второй половины XX века. Приводится общая количественная характеристика используемых Чинновым метров (и других формальных параметров стиха) и анализируется их распределение по разным периодам творчества поэта. Также показано, что выделяемые в его творчестве три периода (условно, поэтика «парижской ноты», поэтика барокко и поэтика ...
Added: November 9, 2023
Tanis K., Сеанс 2019
Автобиографическая статья о французской актрисе русского происхождения Лиле Кедровой. ...
Added: August 14, 2022
Chaban A., Русская литература 2022 № 2 С. 78–87
The article reconstructs the emergence and development of S. K. Makovsky’s concept concern-ing the poetic hierarchy of the 1910s. The outline of the balancing of the literary forces, refl ected in his memoirs Portraits of the Contemporaries and On Parnassus of the Silver Age, began to take shape in his dispute with V. M. Zhirmunsky’s article Overcoming Symbolism. Apart ...
Added: June 21, 2022
Kozicharow N., , in: Modernism and the Spiritual in Russian Art: New Perspectives.: Open Books Publishers, 2017. P. 195–212.
Between 1925 and 1927, the Russian émigré artist Dmitry Stelletsky (1875-1947) executed the murals and iconostasis for the parish church of the Saint-Serge Theological Institute in Paris – one of the most important centres of the Orthodox Church outside of Russia. The highly stylised, colourful mural scheme and its daring deviations from the Orthodox canon ...
Added: October 25, 2021
«Hölderlin даст объяснение»: поэтическая мысль Фридриха Гёльдерлина и ее рецепция Борисом Поплавским
Tokarev D., Русская литература 2021 № 2 С. 194–210
The article focuses on two notions which are present in Boris Poplavsky’s latest oeuvre, namely the “Paradise and Kingdom of friends” and the “Republic of the Sun”. These are linked to Friedrich Hölderlin’s poetic philosophy which solicited vivid interest among German and French poets of 910-1930. It is assumed that the semantic aura of the ...
Added: August 15, 2021
Sakhno Irina, Russian Literature. Amsterdam. Elsevier BV: North Holland. 2017 Т. 91 С. 139–168
The article examines the stereoscopic imagery of Ilya Zdanevich’s graphic dramas ‘LidantYu fAram’ (1923), ‘ZgA Yakaby’ (1920) and his poem collection, ‘Boustrophedon in the mirror’ (1971). In his experimental futuristic works, simultaneously verbal and visual, the author focused on setting up a stereoscopic space and constructing a graphic illusion within it. Three-dimensional perception and stereovision ...
Added: June 21, 2021
Kozicharow N., Art History 2019 Vol. 42 No. 2 P. 304–330
This essay addresses artistic strategy in interwar Europe through the career of Russian émigré artist Filipp Maliavin. Maliavin's eclectic style, which adopted modern techniques but still strove for legibility, was characteristic of the international juste milieu artists participating in the secessionist system of the late nineteenth and early twentieth centuries. Scholars have emphasized this system's demise in ...
Added: June 21, 2021
Nikishina E., В кн.: Contrastes. Etudes de linguistique slavo-romane.: Edizioni dell'Orso, 2019. С. 171–187.
Added: November 8, 2020
Tokarev D., Новое литературное обозрение 2019 Т. 156 С. 41–59
The article analyzes the Hegelian subtext in the novels of the émigré poet, writer, and amateur philosopher Boris Poplavsky (1903–1935). In the novel Apollon Bezobrazov, dialectical consciousness, described by Hegel in the fourth chapter of The Phenomenology of Spirit, organizes the text not only on an ideological level, but also on the level of its ...
Added: October 6, 2019
Berlin: Peter Lang, 2018.
The volume consists of 27 essays dedicated to Vladimir Khazan, the leading specialist in Russian-Jewish relationship and in the study of 20th century Russian literature. The essays deal with Blok, Bely, Akhmatova, Babel, Jabotinsky, Remizov, and Nabokov. The volume introduces unknown documents and facts that elucidate new aspects of Polish-Russian, German-Russian, Russian-Baltic, and Russian-French literary contacts, ...
Added: December 26, 2018
Tokarev D., В кн.: Литература и революция. Век двадцатыйВып. 4: серия "Литература. Век двадцатый".: М.: Литфакт, 2018. С. 113–130.
The paper attempts to analyse the views of Boris Poplavsky (1903-1935), an émigré poet, writer and amateur philosopher, on the historical dialectics and the role of revolutionary violence and terror. The main emphasis is laid on his essay "Lichnost' i Obschchestvo" ("Personality and Society", 1934) as its line of argument seems to be based to ...
Added: October 26, 2018
Tokarev Dmitry, Slavonic and East European Review 2018 Vol. 96 No. 2 P. 181–207
The article focuses on the legacy of Alexandre Kojève's interpretation of the Phenomenology of the Spirit by Hegel in the novel Homeward from Heaven by Boris Poplavskii, Russian émigré poet and writer who attended Kojève's seminar at the École pratique des hautes études in 1934–35 while writing his final narrative. This enables us to reconfigure ...
Added: June 12, 2018
Orekhov B., Uspensky P., Файнберг В. В., Русская литература 2018 № 3 С. 19–53
This article describes the results of the application of network analysis to “Kamer-furʹerskij žurnal” by V. Khodasevich. The formalization of the contents of Khodasevich's émigré diary makes it possible to characterize the structure of the community of Russian emigrants. Several concepts about central and marginal émigré figures are elaborated by means of network analysis. Besides, the ...
Added: June 6, 2018
Nikishina E., М.: Языки славянских культур, 2017.
The monograph describes the genre of readers' letters to Russian newspapers, and various approaches to description of genres are discussed with reference to it.
As a material, letters were taken in four representative publications were taken (in the Soviet - Pravda and Izvestia and in the emigrant - "Latest News" and "Revival"). All the letters under ...
Added: November 29, 2017
Tokarev D., В кн.: По, Бодлер, Достоевский: блеск и нищета национального гения.: М.: Новое литературное обозрение, 2017. С. 363–375.
The article focuses on two tendencies that characterize Baudelaire’s reception in Russian emigration circles of the 1920-1930: the first traditionally treats the French poet as a decadent (cf. Nina Berberova’s paper at the French-Russian studio in Paris) whereas the second tries to avoid clichés and develops a new look on Baudelaire and French symbolism in ...
Added: October 29, 2017