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Victory Over the Sun (1913). Programme Notes
P. 313-321.
Introductory essay to translation of Velimir Khlebnikov and Alexey Kruchenykh’s Victory Over the Sun with commentaries and closing remarks.
Steiner E. S., , in : Anfang Gut. Alles Gut. Actualizations of the futurist opera Victory Over the Sun (1913). : Bregenz : Kunsthaus Bregenz Arena, 2012. P. 167-188.
Introductory essay to translation of Velimir Khlebnikov and Alexey Kruchenykh’s Victory Over the Sun with commentaries and closing remarks. ...
Added: February 28, 2013
Kruchenykh A. E., , in : Aleksandr Deineka. An Avant-garde for the Proletariat. : Madrid : Fundacion Juan March, 2011. P. 313-321.
Translation of Velimir Khlebnikov and Alexey Kruchenykh’s Victory Over the Sun with commentaries and closing remarks. ...
Added: February 28, 2013
Kruchenykh A. E., , in : Anfang Gut. Alles Gut. Actualizations of the futurist opera Victory Over the Sun (1913). : Bregenz : Kunsthaus Bregenz Arena, 2012. P. 167-188.
Translation of Velimir Khlebnikov and Alexey Kruchenykh’s Victory Over the Sun with commentaries and closing remarks. ...
Added: February 28, 2013
Kruchenykh A. E., , in : Aleksandr Deineka. An Avant-garde for the Proletariat. : Madrid : Fundacion Juan March, 2011. P. 322-323.
Translation of Alexey Kruchenykh’s essay The Biography of the Moon with commentaries and closing remarks. ...
Added: February 28, 2013
Madrid : Fundacion Juan March, 2011
In addition to an exhaustive anthology with over fifty historical documents written between 1913 and 1964 translated directly from Russian - several of them previously unpublished - this publication includes essays and texts by Boris Groys, Manuel Fontán del Junco, Christina Kiaer, Ekaterina Degot, Fredric Jameson, Irina Leytes, Alessandro De Magistris, John Bowlt, Hubertus Gassner, ...
Added: February 28, 2013
Kruchenykh A. E., Khlebnikov V., L. : Artists Bookworks, 2009
The facsimile reproduction of Victory Over the Sun, the Russian text faced with a parallel English translation. This new translation is by an erudite master of the word, Evgeny Steiner. Even the innovative language and humour of Victor Khlebnikov’s Prologue, written largely in neologisms, are captured in Dr Steiner’s English rendition, as are alliteration and ...
Added: February 28, 2013
Сыч О. Н., Коммуникации. Медиа. Дизайн 2023 Т. 8 № 2 С. 143-159
The article focuses on the visual aspects of the performative practices of Einstürzende Neubauten, which largely determined the perception of the band as representatives of neo-avant-garde. The author investigates the ways the avant-garde strategies and representations of the group become a means of combating medialization, contemporary art, and avant-garde heritage itself. ...
Added: September 22, 2023
Pavlovets M., Russica Romana 2012 Т. XVIII С. 128-130
Рецензия на книгу: Илья Кукуй. Концепт «вещь» в языке русского авангарда. / Wiener Slawistischer Almanakh. Sb.77. Muenchen - Berlin - Wien. 2010. ...
Added: March 6, 2015
De Gruyter, 2023
This thirteenth volume of the International Yearbook of Futurism Studies explores some of the many facets of Neo-Futurism from the second half of the twentieth century to the present day. It looks both at the revival and the continuation of Futurist aesthetics, whether in explicit or palimpsest form, in a variety of media: literature, visual ...
Added: November 28, 2023
Pavlovets M., Вестник Русской христианской гуманитарной академии 2017 Т. 18 № 1 С. 269-275
For the Russian uncensored poets of the second half of the 20th century there was an acute problem of building their own creative continuity with respect particularly to the part of the Russian culture, which traditions, according to many of them, were artificially interrupted during the implantation of socialist realism. Thus, according to Lev Losev, ...
Added: June 19, 2018
Bregenz : Kunsthaus Bregenz Arena, 2012
The second publication of the international art center Kunsthaus Bregenz Arena (Austria). ...
Added: February 28, 2013
David-Fox M., Russian History 2021 Vol. 47 No. 4 P. 239-253
This article discusses Jeffrey Brooks’ metaphor of an integrated ecosystem to describe Russian cultural history in the late imperial and early Soviet periods. Brooks’s Firebird and the Fox describes an interlocking cultural system marked by high-low interactions, as a rich Russian folkloric tradition based on fable and popular tales was reworked with remarkable creativity in ...
Added: November 11, 2021
Pavlovets M., Studia Litterarum 2023 Т. 8 № 2 С. 10-31
The article is devoted to the neo-avant-garde literary trend that emerged in the Soviet underground of the 2nd half of the 20th century. The paper states that the use of the term “neo-avant-garde” with respect to post-war avant-garde has already become conventional in European art and art studies, however it has not yet established in ...
Added: June 17, 2023
Pavlovets M., Ярославский педагогический вестник 2014 Т. 1 № 1 С. 145-149
The article is devoted to creative reception of the futuristic tradition of word creation and word deformation by the poet Lev Losev. In particular, experiments of the poet on word "ruining", his experiments in the field of poetic derivatology are analysed: creation of "self-twisted words" - occasionalisms in the spirit of the Russian futurists; anagramming ...
Added: September 22, 2014
Pavlovets M., В кн. : Русская литература XIX–XXI веков: метаморфозы смысла: Юбилейный сборник научных трудов, посвященный Н.И. Якушину и В.В. Агеносову. : М. : ИМПЭ им. А.С. Грибоедова, 2017. С. 182-190.
The article is devoted to the article "Code Velimir" and the eponymous poem by poet Sergei Biryukov, who claims the artistic heritage of Velimir Khlebnikov as fundamental to he developed the concept of "freestories avant-garde". ...
Added: January 18, 2018
Uspensky P., В кн. : Текстология и историко-литературный процесс II. Сборник статей. : М. : Лидер, 2014. С. 145-150.
В статье стихотворение А.Е. Крученых "ЗАБЫЛ ПОВЕСИТЬСЯ..." (1913) прочитывается как текст, обыгрывающий предсмертные слова Свидригайлова из "Преступления и наказания". ...
Added: October 12, 2014
Uspensky P., Slavic Literatures (ранее - Russian Literature) 2016 Т. 82 С. 67-101
The article discusses the narrative strategies in Benedikt Livshits’s One and a Half- Eyed Archer, in which one can distinguish, conditionally speaking, a “Gogolian” and a “Tolstoyan” principle. This determines the portraiture, in a more or less positive or negative light, of various major Futurists, such as David Burliuk, Aleksei Kruchenykh, Velimir Khlebnikov, Vladimir Maiakovskii, ...
Added: October 4, 2015
Maslinsky K. A., Новое литературное обозрение 2021 Т. 170 № 4 С. 45-61
In the framework of the 1953 critical discussion about honesty in children’s literature from 1953—1954, a dramatic popularization of writers’ communities occurred, the reason for which was the style of literary writing. In this article, a quantitative statistical analysis of the works by participants of this discussion is undertaken: supporters of the Thaw’s aesthetic program ...
Added: September 8, 2021
Steiner E. S., L., Seattle : University of Washington Press, 1999
In the Soviet Union of the 1920s, the most prominent avant-garde artists were eager children's book illustrators. Reaching a mass audience of unformed, malleable young people appealed to their commitment to an art manifesto based on the creation of a new kind of person for the revolutionary age. At the same time, the opportunity to ...
Added: February 27, 2013
Pavlovets M., В кн. : «Вакансия поэта»-2: материалы двух конференций. : Воронеж : АО «Воронежская областная типография», 2020. С. 26-45.
The Russian futurism has become a precedent phenomenon for a number of Avant-garde poetic groups, some of which defined themselves as “neofuturists” or used other names that referred to their predecessors. In the experience of futurism manifesto practice of poetic circles of Mayakovski and Khlebnikov turned out to be the particularly important for them. Manifestos, ...
Added: February 6, 2021
Азаренков А. А., Новое литературное обозрение 2024
The article substantiates the prospects of a temporal approach to the poetics of the Soviet underground and analyses samples of the early underground poetry of the late 1930s and the first half of the 1950s. Already in the works of Alik Rivin, Gennady Gor, Jan Satunovsky and Roald Mandelstam an image of the other, non-modern ...
Added: November 11, 2023
Lekmanov O., В кн. : Слово как таковое. : СПб. : Издательство Европейского университета в Санкт-Петербурге, 2014. С. 194-203.
Acmeism and futurism in criticism ...
Added: September 27, 2014