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August 21, 2026
Social Integration: At the Crossroads of Knowledge and Values
The International Laboratory for Social Integration Research (ILSIR) at HSE University studies the challenges faced by vulnerable groups and explores ways to help them participate fully in everyday life. To develop effective solutions, the laboratory’s researchers combine cutting-edge methods with practical fieldwork. In this interview with the HSE News Service, Laboratory Head Elena Iarskaia-Smirnova discusses the laboratory’s work.
August 18, 2026
HSE Scholar Presents Research on Postcards in Brazil and South Korea
Timur Khusyainov, Deputy Dean of theFaculty of Humanities atHSE University–Nizhny Novgorod, took part in two international conferences—the XVI World Congress of Rural Sociology in Porto Alegre, Brazil, and the 36th Annual Conference of the Alliance of Digital Humanities Organisations (DH2026) in Daejeon, South Korea. On his way to the conferences, the researcher also visited several other places, where he presented the experience of the Pochtovoe educational project.
August 18, 2026
Physicists Discover What Happens Inside a Stable Vortex
Large vortices with characteristic spiral arms are often observed in the atmosphere and the ocean. Physicists from HSE University have explained how these structures form and why they retain their shape. The researchers found that velocities at points located along the same vortex arc remain correlated even over long distances. At the same time, this correlation weakens rapidly with increasing distance from the vortex centre. These differences help explain the formation of spiral arms and may improve models of atmospheric and oceanic currents. The findings have been published in Physical Review Fluids.

 

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Кинозвезды на подиуме: костюмы и эстетика модных показов в классических голливудских фильмах о манекенщицах

Международный журнал исследований культуры. 2022. Т. 1. № 46. С. 85–98.
Bakina T.

While demonstrative functions of costumes in classic Hollywood films continued to intensify, the search for new artistic ways for effective on-screen presentation of studio costume designers’ creations has started. Among these artistic choices was the fashion show – a visual form of fashion representation that could easily take its place within the narrative structure of a film. Fashion shows were most common in films about fashion designers and models. The latter subject was even more convenient when it came to a certain film’s genre and themes. Stories about fashion models gave the filmmakers more freedom regarding the presentation of film costumes in a form of a fashion show, while the fashion designer type of the stories usually required the fashion show as a big climactic scene.

Cinematic fashion parades drew the attention of the audience to the stylish film costumes, and they also emphasized the image of film stars. The functions of these fashion shows in film haven’t changed significantly over the years, unlike their ever-changing structural and aesthetic features that corresponded with current tendencies in both fashion and film. The article explores the aesthetics of film costumes presented in an entertaining form of cinematic fashion parades in classic Hollywood films about fashion models. The author also addresses the changes in visual patterns and style of fashion shows, as well as their place within the film’s narrative structure. The study of several 1920 – 1950s films will be crucial for the analysis of both the image of fashion models in film and the changing methods of displaying film costumes over the decades.

Research target: Art History Other Humanities
Language: Russian
DOI
Text on another site
Keywords: история киноfilm analysisмодный показfashion modelsclassic Hollywood cinemaкостюм в киноклассический Голливудfilm costumefashionable silhouetteмодный силуэтанализ фильмаfashion and filmмода и кинематографfashion showfilm historyманекенщица
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