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  • Антонина Софронова. Живопись. Графика. В 2 т.
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September 9, 2026
‘Balkan Hospitality Opens Doors: Studying Dialects on the Verge of Extinction
You cannot study spoken dialects from books. Instead, you need to go to a village, seek out its elders, and earn the trust of local residents before you can record hours of spontaneous stories. This is how Natalia Muravleva, Associate Professor at the Faculty of Humanities, conducts her research. Her internship in Serbia continued her long-standing study of dialects spoken by Macedonian settlers. In this interview, she discusses how diaspora cultural centres help researchers reach informants, why native speakers need to be interviewed only in their own language (otherwise, as she puts it, they may 'break'), and how a single field season helped her finalise her monograph. She also shares warm memories of autumn in Belgrade and of colleagues with whom grammar can be discussed in three languages at once.
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Антонина Софронова. Живопись. Графика. В 2 т.

Т. 2: Живопись. M. : -, 2020.
Ельшевская Г., Белохвостова Н., Балашов А., Plungyan N.
Under the general editorship: Ю. Петухов
Chapters
Антонина Софронова и след символизма в советском искусстве 1930-1940-х
Plungyan N., В кн.: Антонина Софронова. Живопись. Графика. В 2 т.Т. 2: Живопись.: М.: Издательство ЗАО "2К", 2020.
Отклоняя привычное представление об Антонине Софроновой как о второстепенной фигуре конструктивистской эпохи, можно яснее видеть неочевидные истоки искусства сороковых, восходящие к символистам и неоромантикам. Такой угол зрения объясняет многие грани творчества художницы, которым пока не уделялось должного внимания – холодная печаль и отстраненность ее моделей, интерес к Андрею Белому и Александру Грину, наконец, ее собственные ...
Added: February 3, 2022
Language: Russian
Keywords: советский модернизмсоветская живописьистория советского искусства
Антонина Софронова. Живопись. Графика. В 2 т.
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The article examines in detail the process of the origin and formation of expressionism in the space of Russian and Soviet art of the first half of the 20th century. The various assessments of this trend and the degree of its influence on Russian culture are analyzed. Special attention is paid to the period of ...
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Отклоняя привычное представление об Антонине Софроновой как о второстепенной фигуре конструктивистской эпохи, можно яснее видеть неочевидные истоки искусства сороковых, восходящие к символистам и неоромантикам. Такой угол зрения объясняет многие грани творчества художницы, которым пока не уделялось должного внимания – холодная печаль и отстраненность ее моделей, интерес к Андрею Белому и Александру Грину, наконец, ее собственные ...
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