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October 6, 2026
International N5 Symposium ‘Neural Networks and Nonlinearity in Nizhny Novgorod Brings Together Scientists from Russia and Serbia
The International N5 Symposium ‘Neural Networks and Nonlinearity in Nizhny Novgorod’ was held at the Nizhny Novgorod House of Scientists from September 23 to 26. The event was organised by HSE University–Nizhny Novgorod and the Nizhny Novgorod House of Scientists, with the participation of Sberbank and the Institute of Physics Belgrade. The symposium was held for the second time: the first conference took place in 2025 and attracted considerable interest from the academic community.
October 5, 2026
‘The Climate Transition Is Not Necessarily a Limitation for Business
Linara Khadimullina works in the field of low-carbon development. In an interview with the Young Scientists of HSE project, she spoke about why nature is not just a beautiful backdrop, her research on the role of sustainable corporate governance in reducing greenhouse gas emissions, and growing plants as a source of inspiration.
October 5, 2026
Africa, Youth, and Civic Dialogue: Public Diplomacy Discussed at HSE University
In late September, HSE University hosted a roundtable discussion titled Civil Society in African Countries and Youth Participation in Public Diplomacy. Representatives of non-governmental organisations from Ghana, Ethiopia, and Russia, along with students from HSE University’s Bachelor’s Programme in Public Administration, discussed how young people without official diplomatic status can influence relations between countries and how the nonprofit sector can remain sustainable amid declining grant funding.

 

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Образ России в сборнике стихов ирландского поэта Пола Дёркана «Возвращаясь домой в Россию»

Новый филологический вестник. 2021. Т. 58. № 3. С. 394–408.
Tsvetkova M. V.

The article is devoted to the reception of Russia in the poetry book «Going Home to Russia» written by an Irish poet Paul Durcan. Interest in the Russian culture and literature has been increasingly growing since the first decades of the 20th century. This phenomenon is a result of a series of factors, the major of which, perhaps, is that by comparing «their own» and «the other’s» Irish authors can easier pin down «their own» as reflected in a kind of «negative mirror». In the article, on the bases of “close reading”, features specific of representation of our country in Durcan’s “Russian poems” are singled out and described. The major specificity is that the image of Russia in Durcan’s poetry is represented antithetically to the existing stereotypes of this country. The book of poetry was published in 1987 when Russia was seen in the World as a totalitarian state, where people are deprived of rights and freedoms. In the book under analyses, it is Ireland which is shown as the country with no rights and freedoms. Russia was the country of militant atheism but Durcan shows that god is alive in the hearts of people there, while in Ireland with all its army of priests god has long been dead. The parallels between Ireland and Russia become the key motif of the book. In a number of poems, Russia is depicted in an idyllic way as a place where people are open, pure, and close to nature. At the same time, the author’s vision is ambivalent. He constantly keeps an eye on the Russia of Stalin’s purges and «the party yeti», as well as the tragic destinies of the Russian artists.

Research target: Philology and Linguistics
Language: Russian
DOI
Text on another site
Keywords: рецепция receptionPaul Durcan image of RussiaIrish poetry Irish-Russian literary relations Russia in Western eyes “Coming Back to Russia”Пол Дёркан"Возвращаясь домой в Россию"ирландская поэзияРоссия глазами Западаирландско-русские литературные связи
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