Герой и антигерой как объекты сравнительного литературоведения: Межвузовский сборник научных статей, посвященный памяти А. А. Чамеева

Вып. 3. СПб. : Издательство Санкт-Петербургского университета, 2021.

Editor-in-chief: И. И. Бурова

The intercollegiate collected volume of essays by Russian and American researchers is devoted to
the isssues related to the scope of such concepts as “hero” and “heroic,” “hero” and “character” in different
historical ages, the human ideals of different times and their embodiments in works of fiction,
turning a historical character into a fictional character, images of anti-heroes and traditions of ethical
and aesthetical opposition of characters, etc. Focusing upon the works by Western and Russian writers
of the 16th–21st centuries, the essays authors, researchers from Russia and the USA, approach the
above listed problems within the framework of the comparative literary studies concepts.
For professionals in the international literary relations, students of humanitarian faculties of
universities and a wide range of people interested in the problems of international literary relations.

Chapters

Лошадь, стул и пианино: сравнительный героизм и теория заражения

Delazari I., В кн.: Герой и антигерой как объекты сравнительного литературоведения: Межвузовский сборник научных статей, посвященный памяти А. А. ЧамееваВып. 3.: СПб.: Издательство Санкт-Петербургского университета, 2021. Гл. 5 С. 60–73.

Leo Tolstoy’s infection theory of What Is Art? (1899) is explored in the article as an early stage of today’s reflection on enactive reading and the reader’s embodied mind in cognitive literary studies. A comparative treatment is given to Tolstoy’s Kholstomer (Strider, 1886) as the perfect sample of the defamiliarization technique (priyom ostraneniia) (Shklovsky 1917) ...

Added: June 17, 2021

Keywords: сравнительное литературоведение, literary character, comparative literature, литературный герой