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Современные стилистические направления в китайской каллиграфии
Modern stylistic trends in Chinese calligraphy are numerous and diverse, which is due to the increasing creative freedom of the authors. Representatives of the orthodox direction zhengtong shufa (Tian Yunzhang, Tian Yinzhang) and leaders of neoclassicism xingudian shufa (Wang Dongling) preserve and continue the national tradition. The destruction of traditional calligraphic standards started by the" first wave "of avant-gardists xiandai shufa (Gu Gan) in the 1980s-1990s was continued in the first quarter of the XXI century by the directions of the "second wave", in particular postmodern calligraphy houxiandai shufa (Wang Dongling). Options the latter can be considered conceptual calligraphy guannian shufa (Luo Qi), calligraphy of the environment (objects, walls, ceilings, floors, natural objects: Wang Nanming, Wu Shanzhuan), calligraphy performances xingwei shuxie (Qiu Zhijie, Song Dong, Zhang Qiang, Sun Ping). The reformers of second wave calligraphy are influenced not so much by active contacts with Western culture as by the rapid development of the media sphere. Appeared digital calligraphy (computer, television), design calligraphy (posters, packaging, logotypes). The idea of unity of music, choreography and writing is being developed in the direction of synthetic calligraphy. For recent years the increased dynamics of changes in social success and cultural significance of certain areas is indicative. Since the beginning of the XXI century, there has been a tendency to increase the interest of the Chinese public in classical trends that authentically and consistently reproduce the values of traditional aesthetics. At the same time actively emerging avant-garde trends are rapidly disappearing and their popularity is local.