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Экспериментальные повествовательные стратегии в комиксах
Обсерватория культуры. 2019. Т. 16. № 5. С. 476-487.
The article is devoted to contemporary comic series perceived as a kind of "laboratory" designed for experiments with narration. Focusing on the dynamics of spatial and temporal continuums in various types of comics (books, magazines, web-pages, and interactive platforms) we argue that the manner of narration in this "sequential art" resembles that of contemporary media art being built on the principles of montage adjusting to various communicative systems.
Першеева Александра, М. : Т8, Пальмира, 2020
This study examines the history of video art as a special form of moving image that consistently violates the rules and traditions developed in cinema and on television. Alexandra Persheeva shows how, with the help of montage, it is possible to push together not only images, but also entire discursive fields, how meanings arise at the ...
Added: June 17, 2020
Staruseva-Persheeva A., Вестник ВГИК 2015 № № 3 (25) С. 82-91
The phenomenon of a one-shot video art is viewed in this article as a specific narrative structure, persuading a spectator not to concentrate on the actual meaning of a video but to plunge into variety of interpretations. Author analyses the specific features of design in a one-shot videos and the means of expression such a ...
Added: September 8, 2015
Staruseva-Persheeva A., Обсерватория культуры 2017 Т. 14 № 3 С. 302-309
This research is devoted to spectator's role in the system of screen culture: in cinema, television, video art and computer games especially those designed for the virtual reality. Special attention is paid to the variety of unspoken rules and conventions in such spaces as cinema-hall and contemporary art gallery due to the way such differences ...
Added: July 21, 2017
Staruseva-Persheeva A., Коммуникации. Медиа. Дизайн 2016 Т. 1 № 3 С. 86-93
Videoart is one of the most vividly evolving phenomenon of mediaart, and its destiny in Russia was far from lucky. In the middle of 1980 one of the first works of videoart were created only by underground artists, the facilities were butleg and illegal. Only 10 years later were launched some of the first exhibitions ...
Added: January 27, 2017
Staruseva-Persheeva A., Вестник ВГИК 2014 № 4 (22) С. 126-135
Video art is a hybrid acquiring the means and goals of both contemporary art and the arts of screen. It brings together different ways of perception working both in a manner of a movie which transfers the viewer into virtual daydreaming (Matthew Barney, Steeve McQueen), and in a manner of a painting or sculpture which ...
Added: October 13, 2015
Staruseva-Persheeva A., Искусство кино 2022 № 9/10 С. 113-123
The article is devoted to analysis of video art as a site for exploring the possibilities of a moving image and experimenting with cinematic language. The author identifies three key grounds for the classification and historical study of video: technological, phenomenological (description of the viewer's experience) and discursive.
Author considers video not only as an interdisciplinary artistic ...
Added: April 7, 2022
Staruseva-Persheeva A., Fadeeva T., Skovorodnikov P. Y. et al., Артикульт 2023 № 1(49) С. 47-58
The paper is focused on the possibilities of contemporary hybrid forms of a graphic novel. The explosive growth of computer technologies and webinfrastructure at the end of the twentieth century led to emergence of a actualised global network platform and new opportunities for a variety of arts. The art of comics did not stand aside ...
Added: April 8, 2023
Kozicharow N., The Garage Journal 2021 No. 4 P. 13-38
This article investigates the relationship between audiences and the moving image in cinematic and virtual space(s) outside of the museum through Canadian artist Levi Glass’s new media project Cineorama. This wooden panoramic cinema, which the artist built in 2019, immerses viewers in the eight-channel video Baptizo—a 360° experience of the Baptistery in Florence—on double-sided screens inside and ...
Added: January 31, 2022
Fedorova A., Научное мнение 2015 № 5.1 С. 170-179
Решающую роль в становлении этических и эстетических принципов кинодокументалистики в Японии сыграла творческая и теоретическая деятельность режиссера Камэи Фумио, обучавшегося в 1929–1931 гг. в Советском Союзе. Анализ статей и интервью Камэи позволит нам обосновать неоднозначный статус режиссера, одновременно воспринимающегося основоположником и отступником от японской кинотрадиции. ...
Added: October 16, 2017
Пилчер А., Ad Marginem, 2019
За последний век художники создали множество произведений, которые бросают вызов традиционным моделям гендера и сексуальности. Серьезные или игривые, гротескные или лиричные, полные скрытых подтекстов или обращающиеся к зрителям напрямую, эти произведения поражают разнообразием.
Книга Алекса Пилчера предлагает читателям краткий путеводитель по квир-искусству всего мира. Среди ее тем — тело и идентичность, любовь и желание, исповедь и ...
Added: September 10, 2020
Fadeeva T., Staruseva-Persheeva A., Художественная культура 2019 № 1 С. 162-173
The article is dedicated to analysis of artistic practices of neodada and its possible reintegration in the current art process. Taking such neodada features as process-based and performative projects we point out the relation of such practices to zen philosophy which used to influence the intellectuals in 1950–1960s. We argue that the aim to fight ...
Added: April 24, 2019
Rome : Treccani Publishing House, 2021
Книга посвящена современному искусству. В "Энциклопедии Трессани" ведущие мировые специалисты в области современного искусства представляют contemporary art в его наиболее существенных проявлениях. ...
Added: February 20, 2019
Meshcherina K., Азия и Африка сегодня 2013 № 1 С. 65-66
The author tells about Week of Iranian culture which took place in October 2012 in Moscow and St. Petersburg. Russians were presented samples of achievements of Iran in the fields of arts and crafts, music and cinematography. ...
Added: October 14, 2018
Cherkaev, Xenia A., Fieldsights, Society for Cultural Anthropology (США) 2020
Lacking state-imposed quarantines, we’ve been abandoned to personal choices. Advising us to save ourselves and our neighbors by staying home, our governments struggle to keep the wrong doubts from going viral. The Russian state, in particular, has announced crackdowns on fake news: citing the danger of Covid-19, new laws harshly penalize the “spread of false ...
Added: September 13, 2020
Isayev Y., Комогорова М. К., Международный журнал исследований культуры 2018 № 1 С. 220-230
This article is an attempt to describe international cinema discourse that has developed over the last decades around the events of the break-up of Yugoslavia through the notion of “cultural trauma”.
In the first part of the article theoretical foundation of cultural trauma and some of its related terms (collective memory) are considered. On the basis ...
Added: April 23, 2018
Vasileva V. O., Российская история 2012 № 6 С. 200-202
В статье дается обзор прошедшей в Москве международной научной конференции «Отечественная война 1812 года. Экранизация памяти», главной целью которой стал анализ возможностей экранных медиа в области конструирования образа исторического события как фактора формирования коллективной памяти. ...
Added: February 9, 2013
Steiner E. S., Зеркало 2017 № 50 С. 121-140
The article explores the attempts of artists, West and East alike, to infuse real movement and temporality in their creations. The history of these attempts and various devices used is researched on the broad material from the Romanticism to Impressionism to psychedelic art and computer animation. The text is enhanced with the numerous links to little-known ...
Added: February 25, 2018
Medvedev S. A., Journal of Contemporary Central and Eastern Europe 2018 Vol. 26 No. 2-3 P. 165-179
The article studies the political art of the Russian artist Pyotr Pavlensky, in particular his actions of 2012-2016, in the conext of the biopolitical transformation of contemporary Russia. It conceptualizes and applies Michel Foucault's "biopolitics" to contemporary Russia. In this paradigm, Pavlensky apprears as "bare life", in the terms of Giorgio Agamben, and his physical body ...
Added: April 14, 2018
Anastasia Fedorova, Cinema Studies 2015 No. 10 P. 4-27
This paper approaches the problem of cultural exchange in cinema by considering the work of a prominent Japanese documentary filmmaker Kamei Fumio (1908-1987). Prior to becoming a film director, Kamei spent two and a half years living in the Soviet Union (1929-1931) and later continued to play an important role as a cultural mediator between ...
Added: October 1, 2017
Staruseva-Persheeva A., Коммуникации. Медиа. Дизайн 2016 Т. 1 № 1 С. 146-150
Alexander Pavlov, philosopher and politologist, specialises in cinema studies analising films as mass market production which reflects social and political process in popular culture and ideological narratives. In the interview A. Pavlov focuses on the nature of cinema and critises it's place among other media. The main question discussed is whether cinema may be recognised ...
Added: January 27, 2017
Afanaseva I., Человек 2022 Т. 33 № 6 С. 136-155
В центре внимания автора статьи – исследование вербально-визуальных репрезентаций в актуальных практиках современных российских художников поколения Y (миллениалов), т.е. мастеров, родившихся с 1981 по 1996 годы. В работе рассматриваются различные типы связей между словом и изображением в отечественном искусстве, формы бытования и культурные смыслы вербальных компонентов художественных текстов современного российского искусства, коннотации взаимодействия русского и ...
Added: December 13, 2022
Staruseva-Persheeva A., В кн. : Искусствознание: наука, опыт, просвещение. Сборник статей по материалам международной научной конференции 9–11 ноября 2017 года. : Государственный институт искусствознания, 2018. С. 24-32.
Видеоарт как искусство, возникшее в результате развития техники и накрепко связанное с ним (technology based art, media art), требует регулярной ревизии своей дефиниции в связи с развитием технологий. В разные периоды времени на передний план выходили различные особенности медиума и, соответственно, грани видеоискусства. Нам представляется, что сейчас ключевым для понимания сущности видео и его значения в ...
Added: November 15, 2018
Lushkin S., Артикульт 2022 № 1 (45) С. 34-41
The article provides to the problem of identity in autobiographical comics. In the recent years authors of comics have been increasingly addressing the topic of identity search, putting autobiography in the foreground. This study attempts to identify the most distinctive narrative strategies in autobiographical comics and to contextualise them within a new research field, one ...
Added: May 30, 2022
Pavlov A., М. : Издательский дом «Дело» РАНХиГС, 2018
Эта книга, с одной стороны, нефилософская, с другой — исключительно философская. Ее можно рассматривать как исследовательскую работу, но в определенных концептуальных рамках. Автор попытался понять вселенную Тарантино так, как понимает ее режиссер, и обращался к жанровому своеобразию тарантиновских фильмов, чтобы доказать его уникальность. Творчество Тарантино автор разделил на три периода, каждому из которых посвящена отдельная часть книги: первый период — условно криминальное ...
Added: August 17, 2018