Researchers from HSE MIEM and Samara University have developed the LRF-3D algorithm to automatically bypass idle nodes in three-dimensional networks-on-chip. Thanks to its hierarchical architecture, the algorithm outperforms existing solutions in both speed and path accuracy, improving processor reliability for use in data centres, supercomputers, and AI computing. The source code and test results are publicly available.
Researchers at HSE University have developed a model for generating promoters and enhancers—DNA sequences that regulate gene activity. The model works directly with DNA nucleotides, without first transforming them into a continuous numerical representation. This solution could be useful for applications in synthetic biology and gene therapy. The study results were presented at the ICLR 2026 Workshop ‘Generative AI in Genomics (Gen^2): Barriers and Frontiers.’
The International Laboratory for Social Integration Research (ILSIR) at HSE University studies the challenges faced by vulnerable groups and explores ways to help them participate fully in everyday life. To develop effective solutions, the laboratory’s researchers combine cutting-edge methods with practical fieldwork. In this interview with the HSE News Service, Laboratory Head Elena Iarskaia-Smirnova discusses the laboratory’s work.
Nikogosyan M., В кн.: Труды Государственного Эрмитажа. Вып.XCVI. Эрмитажные чтения памяти В.Ф.Левинсона-Лессинга (02.03.1893 – 27.06.1972). 2017–2018.: СПб.: Издательство Государственного Эрмитажа, 2018. С. 51–66.
LANDSCAPE WITH A MILL FROM THE ARKHANGELSKOE STATE MUSEUM ESTATE:
JOHANN ANTON EISMANN AND VENETIAN LANDSCAPE IN THE LATE SEVENTEENTH CENTURY
A reassessment of the authorship of a landscape at the Arkhangelskoe State Museum Estate
(Inv. No. 150‑ж), given to Marco Ricci in the time of Prince Nikolay Borisovich Yusupov. The painting was
transformed by conservation undertaken 2010–2012 at the ...
Chamina N., , in: Mapping Artistic Networks: Eighteenth-Century Italian Theatre and Opera Across EuropeVol. V.: Brepols Publishers, 2022. Ch. 6 P. 111–124.
The graphic works for the theatre (and more precisely, the scenographic sketches) by Giacomo Quarenghi (1744–1817), a well-known architect from Bergamo whose style embraced neoclassical and Palladian elements and who arrived at the Russian court at the invitation of Catherine II (the Great, r. 1762–96) in 1780, seem to occupy a peripheral place in his ...
