Горшки ghata как элементы колонн чайтьягрихи в Карли в контексте развития пещерной архитектуры Индии

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Горшки ghata как элементы колонн чайтьягрихи в Карли в контексте развития пещерной архитектуры Индии

Декоративное искусство и предметно-пространственная среда. Вестник РГХПУ. 2015. № 3. С. 266–275.

This article deals with the emergence of idea of ghaţa in architecture of chaytyagriha in Karli, in the context of the early cave architecture of India. It serves as a part of the support structure, fully imitating the shape of the village ceramic pot. In addition, attention is paid to the semantic content of the element - the semantics of form and its value, as well as evolution. Ap- pearing in the early Buddhist cave chaytyas, ghaţa element then moves to the monastery buildings - vihara, become an important element in the pillars of Hindu architecture columned halls mandapas and Jain temples.

Language: Russian

Маравиджайя Будды и образ Паршванатхи. Параллелизм буддийской и джайнской иконографии в искусстве Древней Индии

Vorobeva D., Актуальные проблемы теории и истории искусства 2019 № 9 С. 716–725

The article deals with similar compositional schemes in the art of different religions of AncientIndia on the example of two iconographic schemes: Triumphing Buddha over Mara (Maravijaya or “Temptation of the Buddha by the demon Mara”) and the temptation of Pārśvanātha by the demon Meghmal. With varying degrees of detail, this plot is presented in ...

Added: December 16, 2020

The Architecture of the Early Medieval Jain Temple and Ritual The Analysis of Ellora Caves

Vorobeva D., Proceedings of the 2019 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019) 2019 № 324 С. 93–96

The article is dedicated to the analysis of various components of architecture and iconographic program of the Jain temple that can reflect rituals of that age; on the example of Ellora complex, this paper tries to understand the concepts embodied in architecture and sculpture, as well as transformation of ideas over time. Much information can ...

Added: November 17, 2019

Небесные музыканты киннары в скульптуре и литературе Индии

Vorobeva D., В кн.: Mitrasampradānam.: СПб.: МАЭ РАН, 2018. С. 336–350.

The article is devoted to the images of ornithoanthomorphic kinnarasin the art and literature of Ancient India, their origin, mythology and interpretation in the visual arts. Appeared in the early Buddhist iconography, images of these celestial musicians, passed into the iconography of other religions — Hinduism and Jainism, and became popular in the Southeast and East ...

Added: December 7, 2018

НЕБЕСНЫЕ МУЗЫКАНТЫ В ИНДИЙСКОЙ СКУЛЬПТУРЕ V–X В. (НА МАТЕРИАЛЕ ПЕЩЕРНЫХ ХРАМОВ МАХАРАШТРЫ)

Vorobeva D., Научный вестник Московской консерватории 2013 № 4 С. 90–121

Numerous heavenly musicians inhabit inner and outer walls, pillars and even ceilings of Hindu, Buddhist and Jain temples of ancient and medieval India, being depicted in sculpture and painting. They are gandharvas, apsaras and kinnaras. They attend deities, present them gifts, dance, play musical instruments, sing hymns. The depictions of musicians appeared first in Harappa ...

Added: October 26, 2018

ИНТЕРПРЕТАЦИЯ ОБРАЗА КАРЛИКА В САКРАЛЬНОМ ИСКУССТВЕ ИНДИИ V-X ВЕКОВ

Vorobeva D., Искусствознание 2014 № 1-2 С. 211–243

The article is devoted to images of dwarfish beings adorning Hinduism, Buddhism and Jainism temples of ancient and medieval India. Their weird poses that are at times funny, but sometimes quite inappropriate, raise the question about their meaning and functions in the sacral space of a temple. The author attempts to interpret the images of ...

Added: October 26, 2018

ТРАДИЦИИ ПЕЩЕРНОЙ АРХИТЕКТУРЫ ИНДИИ

Vorobeva D., Декоративное искусство и предметно-пространственная среда. Вестник РГХПУ 2015 № 2 С. 389–401

In ancient and early medieval India cave temples became one of two widespread types of sacral architecture of Hindu, Jain and Buddhists. It’s the most full-fledged tradition of cave architecture in a world art history. More than 1500 temples were carved during the thirteen hundred years. Despite of many obvious loans from wooden prototypes, Indian ...

Added: October 26, 2018

Аспекты интерпретации образа карлика в скульптуре пещерных храмов раннесредневековой Индии

Vorobeva D., В кн.: Индия-Тибет: текст и интертекст в культуре. Рериховские Чтения 2012-2015 в Институте востоковедения РАН.: Языки славянской культуры, 2017. С. 53–74.

В данной статье были достаточно тезисно перечислены возможные аспекты прочтения образов карликов в иконографической программе храмов индуизма, буддизма и джайнизма, однако они отнюдь не являются исчерпывающими. Фигура карлика в индийском искусстве прошла путь от отображения древнейших якш, автохтонного хтонического культа, до представления эзотерических существ тантрических учений. Они играют второстепенную, но немаловажную роль в иконографии. Предписания наставлений для ...

Added: October 26, 2018

Карлики в древнеиндийской религиозной иконографии. Уровни интерпретации

Vorobeva D., Актуальные проблемы теории и истории искусства 2017 № VII С. 590–598

Images of dwarfish beings inhabit the ancient Indian temples in great abundance. One has only look carefully to start notice them everywhere: in mythological scenes and decorative friezes, in prabhamandalaaround the object of veneration and as bhadrakaras- original atlantes, supporting architectural elements; on walls, pillars and ceilings, in interiors and on facades of temples. This pan-Indian images – ...

Added: October 2, 2018