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Илона Светликова. Орфизм и кинематограф: заметки о «Петербурге» Андрея Белого
С. 308–321.
Svetlikova I.
In press
In book
Бобринская Е., Корндорф А. М.: Государственный институт искусствознания, 2018.
Mylonas Y., L.: Routledge, 2026.
This book presents a critical examination of how cultural forms, ranging from cinema and TV to literature, address class within the overarching context of a crisis conjuncture, specifically the period following the 2008 financial crash. It demonstrates how culture serves as a crucial site for capturing the contemporary "structure of feeling", publicly mediating the period's ...
Added: April 30, 2026
Yefanov A., Человек 2026 Т. 37 № 2 С. 67–82
The article presents the practices of using deepfake technology in modern audiovisual media (television, cinema, internet) by referring to the most resonant cases. Appealing to the conducted by the author results of semi-structured expert interviews (n = 15) with media communications analysts, case study and socio-cultural modeling methods, ethical restrictions of such audiovisual solutions are ...
Added: April 23, 2026
Zolotareva O., Studies in the Novel 2025 Vol. 57 No. 1 P. 40–60
This essay is interested in how a novel behaves when it has been theorized out of existence by its own creator. I take as my case study the novel Petersburg, whose author, the prominent Russian modernist Andrei Bely, criticized the arts (including the art of literature) on ethical grounds. I argue that the tension between Bely's ...
Added: January 2, 2026
Кузнецова Я. М., Обсерватория культуры 2025 Т. 22 № 4 С. 386–395
The results of a study on the Disney cultu- ral transfer (by Michel Espagne), which became possible in the perestroika-era USSR after a long period of silence and criticism that began in the 1950s, are gi- ven. It presents the societal changes that caused it, what were the conductors and mechanisms, and the reaction of ...
Added: September 22, 2025
Поликарпова Д. А., Новое литературное обозрение 2025 № 1(191) С. 54–66
The article introduces and analyzes the concept of the extrafilmic — elements and practices accompanying the screening but located outside the “Platonic film” (L. Marks), which is unchanged from exhibition to exhibition. Using the example of different arrangements for screenings, curatorial and translation practices, and censorship interventions, the author demonstrates how the extrafilmic changes the ...
Added: March 12, 2025
Marchukov A., Юров С. С., Cказочкина П. А., Бизнес и дизайн ревю 2023 № 2(30) С. 104–111
Данная статья посвящена практике применения кинематографа во внешнеполитической деятельности. Опираясь на историко-типологический метод при анализе исторического опыта СССР, США, Германии в сфере публичной дипломатии и пропаганды, авторы выделяют четыре основных подхода к использованию кинематографа в политических целях. Первый из них предполагает обращение к кинопродукции как инструменту повышения узнаваемости национального бренда; второй подход – ориентирован на создание положительного образа страны за ...
Added: February 5, 2025
Aleynikova D. S., Психология человека и общества 2024 № 1 С. 90–99
This study examines the phenomenon of nomophobia in film,
focusing on the movie Nerve and its portrayal of characters with psychological
disorders caused by mobile device addiction. Using content analysis, thematic
problem analysis, and visual analysis within a qualitative methodology, the study
seeks to understand how nomophobia is represented in film and how it affects young
people's behavior and perceptions. ...
Added: January 19, 2025
Fedorova A., Искусство кино 2024 № 5-6 С. 41–50
Фильм А.Куросавы "Идиот"(1951) в его историческом контексте ...
Added: October 4, 2024
Клещенко Л. Л., Латинская Америка 2021 № 8 С. 92–101
The article presents the results of a study of Cuba's cinema images in Soviet and American cold war cinema. The study aimed to compare the ways of representing Cuba in the Soviet and American cinema of this period. Materials for the study were Soviet and American films made in the period 1945-1991. It is shown ...
Added: September 23, 2024
Afanaseva I., Русанова Н. Л., Обсерватория культуры 2024 Т. 21 № 4 С. 430–446
The Moscow Palace of Pioneers on the Vorobyovy Gory — an architectural monument of Soviet modernism, the most successful and recognizable building of the Thaw period — can be found in many Soviet and Russian films: “The Tale of Lost Time”, “Gimme the Book of Complaints”, “Moscow — Cassiopeia”, “The Way to the Concert”, “Afonya”, ...
Added: September 19, 2024
Мартынов А. В., Диалог со временем 2024 № 88 С. 390–395
The article is devoted to the difficult relationship between Merezhkovsky, Gippius and Chaliapin. Although before emigration the writers had a negative attitude towards Chaliapin’s political views, and also critically assessed his artistic talent and the popularity associated with it, in emigration they sought to organize joint projects. Merezhkovsky wrote the script for a film about ...
Added: September 17, 2024
Рябов О. В., Белов С. И., Давыдова О. С. et al., М.: Аспект Пресс, 2023.
Монография посвящена проблеме «кинематографической холодной войны». Авторы анализируют, как образы американского и советского врага использовались в символической политике, проводимой кинематографиями СССР и США.
Книга адресована специалистам в области истории, киноведения, международных отношений, культурологии, политологии. ...
Added: June 17, 2024
Rodkin P. E., Совпадение, 2024.
The book is devoted to the subject analysis of the so-called dark sensuality — a product of the dialectical development of the liberated, self-deprived and egoistic body, and its reflection in mass culture and cinema of the second half of the twentieth and early twenty-first centuries. The typology of dark sensuality is presented through the ...
Added: January 10, 2024
Огудов С. А., Зборник Матице српске за славистику 2019 Т. 95 С. 153–163
In the script "How are you?", which should be seen as the main text for understanding Mayakovsky’s work on scripts, we can find many permanent motives for his creative work. Regardless of the strict framework of the “iron script”, which was dictated by the demands of the cinematic industry, the degree of importance of this ...
Added: December 21, 2023
Erokhina Y., Galkina N., Тохтуева Е. А., Теоретическая и прикладная юриспруденция 2023 № 2 С. 117–125
The article reveals the main trends of the “Law and Cinema” scholarly movement, which has been actively explored in the foreign legal literature in recent decades. An attempt is made to review open academic and empirical sources to identify the relationship between law and cinema, key works and contemporary publications on this topic, as well ...
Added: July 25, 2023
Пермь: Пермский государственный институт культуры, 2021.
Materials of the XI Russian Scientific and Practical Conference (with international participation). ...
Added: April 10, 2023
Vereshchagina N., Технологос 2022 № 3 С. 74–84
The anthology “To Each His Own Cinema” was created for the 60th Cannes Film Festival Anniversary. It included episodes by contemporary directors dedicated to the present and future of the cinema in the context of digital technologies and post-continuity. Aki Kaurismäki presented the three-minute episode “The Foundry”, which demonstrates the visual, auditory and narrative features ...
Added: January 18, 2023
Lapina-Kratasyuk E., В кн.: Синкогнита. Cinema Incognita.: М.: Издательские решения. Ридеро, 2022. С. 5–7.
Предисловие к сборнику студенческих работ.
В сборнике вы познакомитесь с работами студентов и выпускников «Выс
шей школы экономики» об авторском кино, его особенностях и способах ин
терпретации. Каждая статья посвящена одной из значимых картин совре
менности и дает ключ к пониманию кино через призму научных концепций.
Книга целиком представляет собой панораму очень разных взглядов на ав
торское кино, само понятие которого ...
Added: December 4, 2022