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September 25, 2026
AI Users Earn Up to 41.8% More Than Non-Users
Research conducted by economists at HSE University has revealed a significant correlation between the regular use of GenAI in the workplace and higher pay among Russian employees. The study found that individuals who frequently use GenAI in their professional activities earn notably more than those who reject these new tools or resort to them occasionally. The salary premium for highly qualified specialists reaches 41.8%. The article was published in the Voprosy Ekonomiki journal.
September 24, 2026
‘Feedback and Constructive Criticism Are Essential in Our Profession
Vincent Fardeau, Associate Professor at HSE ICEF, has reached a major career milestone: he recently published his paper ‘Asymmetric Thin Markets’ in the Journal of Financial Economics, successfully passed his major academic review, and received tenure. In this interview, Vincent discusses the story behind the paper, explains the concept of asymmetric thin markets, and shares his advice for young scholars aiming to publish in top-tier journals.
September 22, 2026
Personal Interest in Doctoral Thesis Topic Most Important for Confidence in Successful Defence
A researcher at HSE University analysed data on 1,539 doctoral students from 161 Russian universities to identify which features of a thesis topic are associated with academic success and engagement. The most important factor was found to be personal interest in the research topic, which was associated with almost all key aspects of doctoral programme experience—from engaging with the academic supervisor to research activity and confidence about successfully defending the thesis. The findings have been published in Higher Education.

 

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Отражение войны: культурная травма в постюгославском кинематографе

Международный журнал исследований культуры. 2018. № 1. С. 220–230.
Isayev Y., Комогорова М. К.

This article is an attempt to describe international cinema discourse that has developed over the last decades around the events of the break-up of Yugoslavia through the notion of “cultural trauma”.

In the first part of the article theoretical foundation of cultural trauma and some of its related terms (collective memory) are considered. On the basis of theoretical overview, in the second part of the article we build an analysis of the five post-Yugoslavian films, created in the period of the break-up of Yugoslavia and after it. The analysis of these screen-culture works is intended to give an idea about the international discourse, built around the break-up of Yugoslavia, and the role of the Yugoslavian cinematograph in its formation. Moreover, the article tracks the dynamics in the change of film narrations and portrayal from the earlier to the most modern ones.

Research target: Media and Communications Art History
Priority areas: humanitarian
Language: Russian
Full text
Text on another site
Keywords: войнанациональная идентичностьcinemaкинематографwarнасилиеcultural traumaкультурная травмаviolenceкультурная памятьcultural memorynational identity
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