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Аполлон Аполллонович (комментарий к роману Андрея Белого “Петербург”
С. 500-504.
Svetlikova I.
In book
Издательство Европейского университета в Санкт-Петербурге, 2008
Stepanova E., Квантитативная филология 2023 № 2 (№4) С. 63-74
The article takes up the rhythm of the new peasant poets S . Yesenin and N. Klyuev on the material of the iambic tetrameter. The task of conducting a comparative analysis of the rhythmics of the iambic tetrameter, as well as comparing the rhythmic pattern and identifying the closest configurations in representatives of other directions, ...
Added: November 7, 2023
Torshilov D., Глухова Е. В., Вопросы литературы 2018 № 4 С. 122-172
The paper offers a detailed analysis of Andrey Bely’s
(melo)declamatory style in the context of his poetic and theoretical
experimentations. Bely’s contemporaries described his recitals as adhering
to the typically ‘decadent’ manner of declamation: with the poem’s
meter emphasized by monotonous melodization. On examining the
written mentions of his recitals, one is moved to agree with Bernstein’s
statement that the poet ...
Added: September 14, 2018
Gelfond M. M., Сибирский филологический журнал 2019 № 2 С. 65-72
The paper considers one of the possible sources of Osip Mandelstam’s poem “Where was he
taken from? Who? Who died?” included in the lyrical cycle in honor of Andrei Bely. The lack of
the autograph and final version of the author complicates interpretation and poses some questions
to be solved by researchers. One of them is the question ...
Added: June 26, 2019
Калинина М. П., В кн. : Шапировские чтения: «Язык — текст — смысл». : Канцлер, 2023.
The paper studies the concepts of “metre” and “rhythm” in the verse theory of Andrei Bely. While asserting the primacy of rhythm over metre and language in a poetic text, Bely, nevertheless, does not completely abandon metre. Metre turns out to be important for Bely not only as an “antithesis” to rhythm, but also as ...
Added: November 8, 2023
Tuliakova N. A., В кн. : XXV Пуришевские чтения. Образ Фауста в контексте мировой художественной культуры. Сборник материалов и статей. : Яр. : Литера, 2013. С. 78-79.
Рассматривается влияние "Фауста" Гете и "Пера Гюнта" Ибсена на "Северную симфонию" А. Белого. ...
Added: April 20, 2013
Svetlikova I., Новое литературное обозрение 2008 Т. 93 № 5 С. 62-98
Описанная Михаилом Безродным «юдобоязнь» Андрея Белого распространялась на философские идеи и предпочтения последнего. В первую очередь, это касалось кантовской философии: в период увлечения ею Белый придавал ей смысл «арийского» учения; в период разочарования в ней - «семитского». ...
Added: October 31, 2017
Schedrina I., Pruzhinin B. I., Shchedrina T., Russian Studies in Philosophy 2022 Vol. 60 No. 1 P. 40-59
It is not by chance that the title of this article paraphrases Gustav Gustavovich Shpet’s article “The Skeptic and His Soul” (1919). Is Stavrogin a skeptic? Yes, and the novel Demons is a narrative about how self-satisfied, self-flattering skepticism (skepticism for its own sake) leads man to devastation, to the dead end of absolute nihilism, to spiritual and literal ...
Added: December 8, 2022