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Тема Американского Юга в творчестве Аллена Тейта
С. 259–265.
Arkhangelskaya I.
In book
Вып. 7. , Н. Новгород: Издательство "Книги", 2017.
Arkhangelskaya I., Вестник Нижегородского университета им. Н.И. Лобачевского 2018 Т. 6 С. 176–181
The article considers the theme of American South in Caroline Gordon’s «None Shall Look Back» (1937). As many Southern of writers 1930s (S. Young, A, Lytle, A. Tate, M. Mitchell, W. Faulkner), C. Gordon felt nostalgia for the patriarchal South and was sure that the Civil of 1861 – 1865 was the region’s tragedy. She ...
Added: January 21, 2019
Arkhangelskaya I., В кн.: Национальные коды европейской литературы в диахроническом аспекте: античность – современность: коллективная монография.: Н. Новгород: Общество с ограниченной ответственностью "Издательство "Деком" , 2018. С. 306–313.
The Civil War theme in literature of the American South of 1920 – 1930s is under consideration in the paper. Applying biographical, historic-functional, and textual methods, the author analyzes how the conflict between the North and the South influenced the Southern consciousness, how it was reflected in collection of articles “I’ll Take My Stand”, in ...
Added: February 26, 2018
Arkhangelskaya I., Филология: научные исследования 2017 Т. 4 № 24 С. 124–136
The contradiction between the agrarian South and the industrial North influenced literary activity in the US Southern states before and after the Civil War (1861 – 1865), and it had a great impact on literature of the plantation tradition. The goals of the article is to outline the characteristics of the plantation literary tradition, consider ...
Added: December 27, 2017
Arkhangelskaya I., В кн.: НАЦИОНАЛЬНЫЕ КОДЫ ЕВРОПЕЙСКОЙ ЛИТЕРАТУРЫ В КОНТЕКСТЕ ИСТОРИЧЕСКОЙ ЭПОХИ.: Н. Новгород: Национальный исследовательский Нижегородский государственный университет им. Н.И. Лобачевского, 2017. С. 308 –317.
Formation of New Criticism in Great Britain and the USA - from critical essays of A.A. Richards, E. Pound, T.S. Eliot in 1920s to the key works of „neocritics‟ of the American South: J.C. Ransom, C. Brooks, A. Tate, R.P. Warren are considered in the paper. An attempt to estimate the place of New Criticism ...
Added: May 8, 2017
Arkhangelskaya I., Вестник Нижегородского университета им. Н.И. Лобачевского. Серия: Филология 2015 Т. 2 № 2 С. 28–32
The American South discourse in Stark Young's «So Red the Rose» (1934) is analyzed in the article in the context of Southern literary tradition. The goal of the scholarly research is to define S. Young's status in the American literature, explore the ties of his creative work with «plantation tradition» and Southern novels of 1930s. ...
Added: August 22, 2016
Arkhangelskaya I., Вестник Нижегородского университета им. Н.И. Лобачевского. Серия: Филология 2014 № 3 С. 267 –274
The American Southern theme in M. Mitchell's world-known best-seller Gone with the Wind (1936) is analyzed in the context of «Southern» literary tradition. A review is given of the Western and Russian criticism of the novel. We also examine the author's stance, and Gone with the Wind's poetics that distinguishes it from other «Southern» novels ...
Added: August 21, 2016
Arkhangelskaya I., Вестник Нижегородского университета им. Н.И. Лобачевского. Серия: Филология 2014 № № 2 (2). С. 98–102
The concept «American South» in W. Faulkner’s «The Unvanquished» (1938) is analyzed in the article. The features typical for Southern literary tradition have been revealed. At the same time it is shown that the novel is not bounded within the frames of «Sothern canon». The author transforms the «Southern myth» into the universal tragedy where ...
Added: August 21, 2016