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May 20, 2026
HSE University Opens First Representative Office of Satellite Laboratory in Brazil
HSE University-St Petersburg opened a representative office of the Satellite Laboratory on Social Entrepreneurship at the University of Campinas in Brazil. The platform is going to unite research and educational projects in the spheres of sustainable development, communications and social innovations.
May 18, 2026
The 'Second Shift' Is Not Why Women Avoid News
Women are more likely than men to avoid political and economic news, but the reasons for this behaviour are linked less to structural inequality or family-related stress than to personal attitudes and the emotional perception of news content. This conclusion was reached by HSE researchers after analysing data from a large-scale survey of more than 10,000 residents across 61 regions of Russia. The study findings have been published in Woman in Russian Society.
May 15, 2026
Preserving Rationality in a Period of Turbulence
The HSE International Laboratory for Logic, Linguistics and Formal Philosophy studies logic and rationality in a transformed world characterised by a diversity of logical systems and rational agents. The laboratory supports and develops academic ties with Russian and international partners. The HSE News Service spoke with the head of the laboratory, Prof. Elena Dragalina-Chernaya, about its work.

 

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Культура как препятствие: размузыкаливание мира в гибридных дискурсах музыкального воздействия

Социологическое обозрение. 2017. Т. 16. № 1. С. 50–82.
Ganzha A. G.

The article problematizes the relationship between music, nature and culture in the heterogeneous discourse of therapeutic effects of music and in critical theory of music by Adorno. To determine the nature of this relationship, the article refers to conceptual metaphors and ontological intuitions of actor-network theory (ANT). Using ANT, the article articulates the concept of “hybrid discourse” that differs from the related concepts of social semiotics and postcolonial theory. This concept is in lesser degree used to describe a local communicative practices that mixes different languages, sociolects, ethnolects and functional styles of speech, and in higher degree used to describe a discursive constructions revealing the symptoms of hybrid activity on the borders of nature and culture. The article analyses the discursive practices of the New Age movement that invokes music — from theosophy in the late XIX century to modern esoteric-therapeutic narratives. In these discursive practices, we find the significant combination of pseudo-religious reenchantment of the world and its radical nihilistic “demusicalization” (in the terminology of Leo Spitzer). In the hybrid esoteric discourses modern socio-acoustic texture of nature–culture is neutralized in favor of transcendent reality of unhuman. In the Adorno’s critical theory ontological dualities are synthesized into the ideological totality of culture industry. Only in the early vanguard of the Second Viennese School Adorno discovers the ghostly possibility of an exit from culture industry and achieving the true nature of music and non-alienated sociality.

Research target: Philosophy, Ethics, and Religious Studies Basic Medicine Health Studies
Priority areas: humanitarian
Language: Russian
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Keywords: actor-network theoryакторно-сетевая теорияфилософия музыкиphilosophy of musicкритическая теориямузыкотерапияcritical theoryтеософияmusic therapyhybrid discoursetheosophydisenchantmentгибридный дискурсмузыкальная терапиярасколдовывание
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