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September 25, 2026
AI Users Earn Up to 41.8% More Than Non-Users
Research conducted by economists at HSE University has revealed a significant correlation between the regular use of GenAI in the workplace and higher pay among Russian employees. The study found that individuals who frequently use GenAI in their professional activities earn notably more than those who reject these new tools or resort to them occasionally. The salary premium for highly qualified specialists reaches 41.8%. The article was published in the Voprosy Ekonomiki journal.
September 24, 2026
‘Feedback and Constructive Criticism Are Essential in Our Profession
Vincent Fardeau, Associate Professor at HSE ICEF, has reached a major career milestone: he recently published his paper ‘Asymmetric Thin Markets’ in the Journal of Financial Economics, successfully passed his major academic review, and received tenure. In this interview, Vincent discusses the story behind the paper, explains the concept of asymmetric thin markets, and shares his advice for young scholars aiming to publish in top-tier journals.
September 22, 2026
Personal Interest in Doctoral Thesis Topic Most Important for Confidence in Successful Defence
A researcher at HSE University analysed data on 1,539 doctoral students from 161 Russian universities to identify which features of a thesis topic are associated with academic success and engagement. The most important factor was found to be personal interest in the research topic, which was associated with almost all key aspects of doctoral programme experience—from engaging with the academic supervisor to research activity and confidence about successfully defending the thesis. The findings have been published in Higher Education.

 

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Культура как препятствие: размузыкаливание мира в гибридных дискурсах музыкального воздействия

Социологическое обозрение. 2017. Т. 16. № 1. С. 50–82.
Ganzha A. G.

The article problematizes the relationship between music, nature and culture in the heterogeneous discourse of therapeutic effects of music and in critical theory of music by Adorno. To determine the nature of this relationship, the article refers to conceptual metaphors and ontological intuitions of actor-network theory (ANT). Using ANT, the article articulates the concept of “hybrid discourse” that differs from the related concepts of social semiotics and postcolonial theory. This concept is in lesser degree used to describe a local communicative practices that mixes different languages, sociolects, ethnolects and functional styles of speech, and in higher degree used to describe a discursive constructions revealing the symptoms of hybrid activity on the borders of nature and culture. The article analyses the discursive practices of the New Age movement that invokes music — from theosophy in the late XIX century to modern esoteric-therapeutic narratives. In these discursive practices, we find the significant combination of pseudo-religious reenchantment of the world and its radical nihilistic “demusicalization” (in the terminology of Leo Spitzer). In the hybrid esoteric discourses modern socio-acoustic texture of nature–culture is neutralized in favor of transcendent reality of unhuman. In the Adorno’s critical theory ontological dualities are synthesized into the ideological totality of culture industry. Only in the early vanguard of the Second Viennese School Adorno discovers the ghostly possibility of an exit from culture industry and achieving the true nature of music and non-alienated sociality.

Research target: Philosophy, Ethics, and Religious Studies Basic Medicine Health Studies
Priority areas: humanitarian
Language: Russian
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Text on another site
Keywords: actor-network theoryакторно-сетевая теорияфилософия музыкиphilosophy of musicкритическая теориямузыкотерапияcritical theoryтеософияmusic therapyhybrid discoursetheosophydisenchantmentгибридный дискурсмузыкальная терапиярасколдовывание
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