Роман Жана-Жака Руссо «Юлия, или Новая Элоиза» и русский роман XIXвека: тень Руссо в романе И.А.Гончарова «Обломов».

С. 84–132.

Roginskaya O.

The article concerns the ways and means of transmission some significant Rousseau’s social and political ideas through fictional discourse in his novel “Julie, or the New Heloise” and reconstructs the history of reading (and also rereading/misreading and rewriting) this novel by the XVIII-XIXth century Russian literature. The article attempts to enlarge special literary historically oriented method of analysis Rousseau’s novel and at the same time to underline and define cultural importance of Rousseau as novel writer, not only philosopher, whose ideas and inventions were the great kind of influence on the wide reading audience and literary process on the whole, as well as new life styles and ways of «life-building” in European Culture of the XVIII-XIXth centuries. Retrospective and prospective ways of rereading “Julie, or the New Heloise” realizes by means of addressing to the historical and cultural context of the XVIII-XIXth century Russian Literature with special attention on Ivan Goncharov’s “Oblomov” (1848-1859). The plot motive “ménage à trois” and its realization in Rousseau’s and Goncharov’s novels is considered at great length.

Keywords: "Oblomov", "Обломов", menage a trois, теория и история чтения, Ivan Goncharov, Jean Jacques Rousseau, history of reading, rereading, rewriting, "probable plot", Julie, or the New Heloise, практики перечитывания, практики переписывания, "возможный сюжет", Иван Гончаров, "жизнь втроем", практики жизнестроительства

In book

Научно-методический ежегодник гимназии № 1514

Вып. 2. , М.: МАКС Пресс, 2015.