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  • Регуманизация «чужих»: Эволюция репрезентаций «врага номер один» в американском кинематографе Холодной войны
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October 14, 2026
At HSE University–St Petersburg, Experts Discuss How AI Changes Tourist Routes and Cultural Heritage
Neural networks are no longer simple travel assistants; now they decide what to include on the route and what to skip. Artificial intelligence changes how people perceive a place and shapes the image of tourist centres. At the II International Scientific and Practical Conference ’Information Technologies in the Preservation and Promotion of Cultural Heritage,’ researchers discussed who controls algorithmic solutions and in what ways, and whether authentic traditions get lost in them.
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Worldwide, road injuries are the leading cause of death among males aged 10–39. An international team of researchers reached this conclusion as part of the Global Burden of Disease Study 2023, analysing data from 204 countries between 1990 and 2023. Their findings have been published in The Lancet Public Health, with HSE University Professor Vasily Vlassov listed among the collaborators.
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The 23rd Annual Meeting of the Valdai Discussion Club was held from September 28 to October 1, 2026 under the theme ‘Responsibility for the Future: Limits of the Possible, or Limitless Possibilities?’ The forum brought together 120 experts from 40 countries, including representatives of China, the United States, India, Brazil, the United Kingdom, Germany, Egypt, Iran, and Japan.

 

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Регуманизация «чужих»: Эволюция репрезентаций «врага номер один» в американском кинематографе Холодной войны

Диалог со временем. 2021. № 77. С. 277–290.
Рябов О. В.

The article dwells upon evolution of the ways in which the U.S. Cold War films represented the USSR: from dehumanization of the image of enemy in 1940-1950s to deconstruction of this image in 1960s. The author applies Nick Haslam's dual model of dehumanization, aс-cording to which dehumanization is visible in two forms: animalistic by associating members of out-group with animals and mechanistic by associating them with machine. The Hollywood movies of 1940-1950s actively employed both forms in creating the image of the “enemy number one”. The release of Norman Jewison's film “The Russians are coming! The Russians are coming!” in 1966 marked the beginning of rehumanization of the USSR. The author points out that the film served as a sort of cinematic manifest of Realpolitik and philosophy of détente.

Language: Russian
DOI
Text on another site
Keywords: образ врагаCold WarAmerican cinemaамериканский кинематографдегуманизацияimage of the enemyХолодная войнаdehumanizationrehumanizationрегуманизацияfilm "The Russians are Coming! The Russians are Coming!"фильм "Русские идут! Русские идут!"
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