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  • Регуманизация «чужих»: Эволюция репрезентаций «врага номер один» в американском кинематографе Холодной войны
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August 24, 2026
Researchers Develop Method for Direct Generation of Regulatory DNA
Researchers at HSE University have developed a model for generating promoters and enhancers—DNA sequences that regulate gene activity. The model works directly with DNA nucleotides, without first transforming them into a continuous numerical representation. This solution could be useful for applications in synthetic biology and gene therapy. The study results were presented at the ICLR 2026 Workshop ‘Generative AI in Genomics (Gen^2): Barriers and Frontiers.’
August 21, 2026
Social Integration: At the Crossroads of Knowledge and Values
The International Laboratory for Social Integration Research (ILSIR) at HSE University studies the challenges faced by vulnerable groups and explores ways to help them participate fully in everyday life. To develop effective solutions, the laboratory’s researchers combine cutting-edge methods with practical fieldwork. In this interview with the HSE News Service, Laboratory Head Elena Iarskaia-Smirnova discusses the laboratory’s work.
August 18, 2026
HSE Scholar Presents Research on Postcards in Brazil and South Korea
Timur Khusyainov, Deputy Dean of theFaculty of Humanities atHSE University–Nizhny Novgorod, took part in two international conferences—the XVI World Congress of Rural Sociology in Porto Alegre, Brazil, and the 36th Annual Conference of the Alliance of Digital Humanities Organisations (DH2026) in Daejeon, South Korea. On his way to the conferences, the researcher also visited several other places, where he presented the experience of the Pochtovoe educational project.

 

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Регуманизация «чужих»: Эволюция репрезентаций «врага номер один» в американском кинематографе Холодной войны

Диалог со временем. 2021. № 77. С. 277–290.
Рябов О. В.

The article dwells upon evolution of the ways in which the U.S. Cold War films represented the USSR: from dehumanization of the image of enemy in 1940-1950s to deconstruction of this image in 1960s. The author applies Nick Haslam's dual model of dehumanization, aс-cording to which dehumanization is visible in two forms: animalistic by associating members of out-group with animals and mechanistic by associating them with machine. The Hollywood movies of 1940-1950s actively employed both forms in creating the image of the “enemy number one”. The release of Norman Jewison's film “The Russians are coming! The Russians are coming!” in 1966 marked the beginning of rehumanization of the USSR. The author points out that the film served as a sort of cinematic manifest of Realpolitik and philosophy of détente.

Language: Russian
DOI
Text on another site
Keywords: образ врагаCold WarAmerican cinemaамериканский кинематографдегуманизацияimage of the enemyХолодная войнаdehumanizationrehumanizationрегуманизацияfilm "The Russians are Coming! The Russians are Coming!"фильм "Русские идут! Русские идут!"
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