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October 14, 2026
At HSE University–St Petersburg, Experts Discuss How AI Changes Tourist Routes and Cultural Heritage
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HSE Experts Take Part in 23rd Annual Meeting of Valdai Discussion Club
The 23rd Annual Meeting of the Valdai Discussion Club was held from September 28 to October 1, 2026 under the theme ‘Responsibility for the Future: Limits of the Possible, or Limitless Possibilities?’ The forum brought together 120 experts from 40 countries, including representatives of China, the United States, India, Brazil, the United Kingdom, Germany, Egypt, Iran, and Japan.

 

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Сидящие «по-восточному» фигуры в наскальном искусстве Минусинской котловины (атрибуция, аналогии)

СибСкрипт. 2024. Т. 26. № 6. С. 904–918.
Советова О. С., Ермоленко Л. Н., Zinchenko S.

The rock art of the Minusinsk Basin has a long academic history; however, it still brings about new
fascinating discoveries. Some petroglyphs of the Tesin period show people sitting cross-legged on the floor
in the so-called Oriental fashion. These images have not yet received special scientific attention. Such images
are most often single; they are to be found on such petroglyph sites and mound stones of the Minusinsk Basin
as Oglakhty, Kamenka, Togr-Tag, Abakan-Perevoz, Tepsei, etc. The present analysis of their legs made it possible
to describe the variability of the sitting posture. Their arms are symmetrically arranged, the hands being devoid
of any attributes but for one exception: the cross-legged sitter on a mound stone in Tepsei is holding a snake.
Ancient Oriental art has no iconographic patterns for the Snake-Holder. In some cases, the Snake-Holder is depicted
kneeling. The Early Iron Age art renders a certain analogy to the Snake-Holder from Tepsei, i.e., the horned deity
from the Gundestrup cauldron. The earliest images of an anthropomorphic creature sitting cross-legged on the floor
belong to the Neolithic Age (Crete) and Bronze Age (Harappan civilization). The archaeological and ethnographic
analysis revealed the polyvariant character of the cross-legged sitter. The images from the Minusinsk petroglyphs
demonstrate obvious similarities with the art of the Early Iron Age and the early Middle Ages. Multiple variants
of the cross-legged sitter appeared in ancient art of different peoples across the world. However, the similarity
hardly indicates borrowing: the universal conditions of human routine and religious practices rendered similar
body postures captured in art.

Research target: History and Archeology Art History
Language: Russian
Full text
DOI
Text on another site
Keywords: ЕвразияEurasiaпетроглифыранний железный векpetroglyphsEarly Iron Age archaeologyfigures sitting cross-legged in oriental fashionTesin cultureSnake-HolderMinusinsk Basinсидящие «по-восточному» фигурытесинская культураобраз ЗмеедержцаМинусинская котловина
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