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  • Репрезентация ценностей в рекламных креативах: исследовательские возможности методики семиотического квадрата А.-Ж. Греймаса
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News
July 24, 2026
‘I Like Self-Fulfilling Prophecies
Andrey Vorchik studies happiness, delivers popular science lectures, and believes that science should address social issues as well. In an interview for the Young Scientists of HSE University project, he spoke about how emotions influence decision-making, the Bermuda Triangle formed by the bathroom, refrigerator, and bed, and the ideal formula for education.
July 24, 2026
'Physics Is What the World Is Literally Built On'
Physicist Nina Dzhanayeva, recipient of a Vladimir Potanin Foundation scholarship, focuses her research on nanophotonics. In this interview for the HSE Young Scientists project, she discusses nanowells, scientific intuition, and how physics can help in making frangipane cream puffs.
July 20, 2026
Scientists Create Open Dataset for Studying Concentration
A team of Russian researchers, including scientists from HSE University–St Petersburg, has developed the first open multimodal dataset containing recordings of brain activity, heart function, and video observations to help researchers understand what happens in the human brain during deep concentration. In the future, the dataset could accelerate the development of neural interfaces, rehabilitation technologies, and AI systems. The article has been published in Scientific Data.

 

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Репрезентация ценностей в рекламных креативах: исследовательские возможности методики семиотического квадрата А.-Ж. Греймаса

Знак: проблемное поле медиаобразования. 2026. Т. 1. № 59. С. 15–26.
Вьюнова В. А., Kozhemyakin E.

This article is devoted to the possibilities of semiotic analysis of the value aspects of advertising creatives. The main emphasis is placed on the study of the potential of the semiotic square of A.J. Greimas as a method of analyzing advertising materials. Despite its powerful analytical potential, this tool is rather poorly used in advertising research, in particular, its axiological aspect. The paper provides a comparative review of existing semiotic approaches (including an analysis of the works of Ch. Pierce, R. Barth, F. Saussure, etc.) and substantiates the advantage of the semiotic square for identifying the main semantic and value elements. The authors turn to the analysis of values in advertising, the peculiarities of their perception by the audience and broadcasting through advertising materials.

The possibilities and limitations of the Greimas method are demonstrated by analyzing promotional videos on the fast food market. The article examines in detail the case of one of the videos, which makes it possible to visually trace the algorithm for constructing semiotic squares, interpreting its elements, building relationships with each other and subsequent analysis. As a context for the axiological transformations of advertising, the authors turn to the situation of import substitution in the Russian fast food market, which made it possible to more accurately identify the specific changes accompanying the process of import substitution in advertising communication. The main conclusion of this work is the assessment of the semiotic square as an effective way not only to analyze the general semantic structure of advertising creatives, but also to consider the values and meanings contained in them, to analyze axiologically complex multilevel messages. The key limitations of the method are also identified (the subjectivity of identifying images and interpreting their connections, focusing on strictly defined semantic categories). The results of the study can be applied in the practice of semiotic analysis of advertising messages, as well as taken into account in the development of creative strategies.

Research target: Media and Communications
Language: Russian
DOI
Text on another site
Keywords: брендсемиотикаbrandfast foodsemioticsadvertising communicationsрекламная коммуникация"семиотический квадрат" А.-Ж. Греймасавидеорекламаsemiotic squarevideo advertisementценности в рекламереклама фастфуда
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