Автоматическая генерация правил транскрипции и машинная транскрипция имен собственных с использованием конечного автомата
This paper revisits a range of theories of power in communication and argues that there has been no methodology able to grasp the multiplicity of power in communication as a concept. As a result, the present scholarship on power in communication is characterized by a multiplicity of approaches that a) use the concept of power as a self-explanatory or vague concept in the analysis of several interactional phenomena; b) draw on a particular approach to power, disregarding multiple workings of power; or c) acknowledge the complexity of power and synthesize various approaches to power.
This paper sets out to review current approaches to world Englishes from a range of perspectives, from English studies to sociolinguistics, applied linguistics, lexicography, ‘popularizers’ and critical linguistics. It then proceeds to consider current debates on English worldwide and world Englishes, noting the recent criticisms of the world Englishes approach from a rhetoric of a critical linguistics ironically at odds with the realities of many educational settings.
This article deals with the problem of German-language gastronomic discourse and semantic units, which verbalized realias of food culture in Germany and examines linguo-cultural peculiarities of gluttonyms.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.