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News
July 24, 2026
‘I Like Self-Fulfilling Prophecies
Andrey Vorchik studies happiness, delivers popular science lectures, and believes that science should address social issues as well. In an interview for the Young Scientists of HSE University project, he spoke about how emotions influence decision-making, the Bermuda Triangle formed by the bathroom, refrigerator, and bed, and the ideal formula for education.
July 24, 2026
'Physics Is What the World Is Literally Built On'
Physicist Nina Dzhanayeva, recipient of a Vladimir Potanin Foundation scholarship, focuses her research on nanophotonics. In this interview for the HSE Young Scientists project, she discusses nanowells, scientific intuition, and how physics can help in making frangipane cream puffs.
July 20, 2026
Scientists Create Open Dataset for Studying Concentration
A team of Russian researchers, including scientists from HSE University–St Petersburg, has developed the first open multimodal dataset containing recordings of brain activity, heart function, and video observations to help researchers understand what happens in the human brain during deep concentration. In the future, the dataset could accelerate the development of neural interfaces, rehabilitation technologies, and AI systems. The article has been published in Scientific Data.

 

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?

Преломление натурфилософских взглядов Николая Кузанского в творчестве братьев ван Эйк

С. 58–68.
Забродина Е. А.
Language: Russian
Full text
Keywords: Jan van EyckЯн ван ЭйкHubert van EyckNorthern Renaissance Artсеверный РенессансNicholas of CusaНиколай КузанскийХуберт ван Эйк

In book

Проблемы теории и истории искусства Нового и Новейшего времени: опыт естествознания и эволюция жанровых форм
М.: [б.и.], 2017.
Similar publications
Трансформация образа сада в творчестве художников Брюгге XV – начала XVI веков
Забродина Е. А., В кн.: Сады на бумаге. Текст и образ.: М.: Издательский дом ТОНЧУ, 2025. Гл. 6 С. 76–95.
In early Netherlandish painting, the garden image was associated with the representation of paradise, as well as with the monastic practice of cultivating a garden, which existed since the era of early Christianity. In addition, since the appearance of the first chivalric novels, the garden has been associated with the search for a love object. ...
Added: May 6, 2026
Мариенфельдский алтарь Иоганна Кербеке: влияние нидерландских художественных школ на живопись Вестфалии в XV веке
Забродина Е. А., Искусство Евразии 2026 № 1(40) С. 110–141
Статья посвящена исследованию Мариенфельдского алтаря работы Иоганна Кербеке, одного из первых художников Вестфалии XV века, в творчестве которого отчетливо заметно влияние художественных школ южных Нидерландов, связанных с именами Робера Кампена, Рогира ван дер Вейдена и Яна ван Эйка. Его предшественники в землях нижнего Рейна, также оказавшие влияние на Кербеке, — Стефан Лохнер и Конрад фон Зост — во ...
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Взаимодействие вербального и визуального текста в творчестве братьев ван Эйк и Рогира ван дер Вейдена: выявление позиции зрителя
Забродина Е. А., В кн.: Актуальные проблемы теории и истории искусства: сб. науч. статей. Вып. 7.: СПб.: Издательство СПбГУ, 2017. С. 555–563.
Although the use of labels in visual arts has millennia of practice, it was the brothers Van Eyck and Rogier van der Weyden who managed to intertwine verbal and visual aids in their work in such a unique way as are the sources of written texts that include prophecies, apocrypha, “Golden legend”, “Imitation of Christ”, the words of ...
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The Ghent altar has attracted the attention of art amateurs and connoisseurs since its creation in 1432, but its first studies appeared only in the early nineteenth century. The nineteenth-century scholars, from Johanna Schopenhauer to William Wiel, devoted their monographs to the patrons of the altar, attributed panels of the polyptych and dealt with its ...
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The subject of this research is the processes that unfolded in the spiritual sphere of the Netherlandish society of the XV century, which can be assessed by the treatises of the prominent philosopher and figure of the Catholic Church Nicholas of Cusa (1401-1464), as well as by the images, scenes, artistic techniques used by Netherlandish ...
Added: October 5, 2024
Визуальные проявления гнева, страха и некоторых других трагических эмоций в алтарной живописи Нидерландов и Германии XV — начала XVI вв.
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The most tragic emotions were perceived usually as antisocial in the Middle Ages. There was often the link between the emotions and the seven dead sins. However, the perception of these emotions could change under the influence of the situation. Sometimes tragic emotions could become logical or even useful for an individual. This aspect in ...
Added: October 5, 2024
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