Формирование представлений об инвалидности в советском кинематографе 1920-х–1940-х гг.
Despite the fact that culture, aesthetics, and art were some of the main concerns of early classical sociology (e.g., Simmel’s essays are probably the most popular reference in this regard), later culture has become a matter of interest of a sub-discipline, that of the sociology of culture. The end of the 20th and the beginning of the 21st centuries brought a radical transformation of sociological understanding of culture, and it was Jeffrey Alexander who revived the notion and proposed a new understanding of sociological theory drawn on this notion. According to Alexander, culture should be treated as an autonomous realm being able to act and contribute to the social order. In (re)turning to this understanding, Alexander draws upon a variety of now-classical theories, but mainly on Durkheim’s theory of religion as explicated in The Elementary Forms of Religious Life. Clifford Geertz and his idea of thick description is one of the sources for the renewed cultural sociology. In Art as a Cultural System (1976), he wrote that “to study an art form is to explore a sensibility” and “such a sensibility is essentially a collective formation, and that the foundations of such a formation are as wide as social existence and as deep”. The special issue of the RSR is dedicated to empirical and theoretical discussion of how art can serve as a source of sociological imagination.
The paper focused on the issues of representation of disability in a modern culture and historical evolution of this concept.
The paper examines some classical cases of adaptation of western genre in the USSR.
There are over thirty million disabled people in Russia and Eastern Europe, yet their voices are rarely heard in scholarly studies of life and well-being in the region. This book brings together new research by internationally recognised local and non-native scholars in a range of countries in Eastern Europe and the former Soviet Union. It covers, historically, the origins of legacies that continue to affect well-being and policy in the region today, discusses disability in culture and society, highlighting the broader conditions that construct disability and in which disabled people must build their identities and well-being, provides in-depth biographical profiles that outline what living with disabilities in the region is like, and examines policy interventions, including international influences, recent reforms and the difficulties of implementing inclusive, community-based care. The book will be of interest both to regional specialists, for whom the problem of declining standards of health and well-being is a crucial concern, and to scholars of disability and social policy internationally
Apart from the public sphere and the norms set by society, the private sphere plays an important role in the lives of the disabled, including the personal experience of disability at a micro level: in their families, everyday routines and romantic relationships. In this chapter, issues of family structure are considered using a narrative analysis of interviews with women who use wheelchairs. Various cultural, social, economic and political determinants effect the formation of certain types of family structure and attitudes towards family life. At the same time, they interrelate with biographical factors that reinforce or weaken the limits of freedom and private life. Using narrative analysis, I demonstrate what role family plays in constructing the identity of a person with a disability, and how family members act as coauthors of individual biographies. This can be seen in those dilemmas of family life associated with the feelings, sexuality and emotional stability at the micro-level of the life experience and identification of women with disabilities.