Анализ фильма: теперь и в России
Actes du Congrès "Pluralisme et Reconnaissance" 22-24 juin 2006, Unesco, Paris. The present volume presents fully original articles, prepared for publication basing upon the texts of keynote reports presented at plenary sessions of the 9th International Congress in Philosophy and Cultural Studies, which was conducted by the St. Petersburg Branch of the Russian Institute for Cultural Studies and the UNESCO Chair for Comparative Studies of Spiritual Traditions, their Specific Cultures and Inter-religious Dialogue, functioning on the basis of the aforementioned Instiute.
In the public discourse, cinematic views on the analysis of movies traditionally prevail. The author suggests another approach: in the course of the experiment aimed to reveal the audience's perception of the film „Welcome to Zombieland the author discovers an atypical interpretation of this horror film as an instrument of educating the young generation, those features of the ideological message of the film that can transform any genre into, it would seem, its complete opposite - a collection of contemporary society norms and behavior patterns. The main conclusion of the article is that the perception of a film is a complex social action which always goes beyond any cinematic interpretations.
The article describes the methods of holding masterclasses in mathematical and computer design of various architectural 3D models of a house, street, town. Spatial visualization of these models of modern architecture develops students’ spatial awareness and the models can become prototypes of virtual worlds for sci- fi cinema. The method’s main conception is an active synthesis of Humanities and Science in creating student projects.