"Слон в спичечном коробке": хронотопы сопротивления в русской культуре
Cultural text created in a specific chronotope. Each culture is a unique combination of time and place of production culture. The author presents specific feature chronotopes in Russian culture - tightness. It connects the actions of the subject to certain limitations that should be reflected in its cultural products. However, the cultural text encompasses the need to overcome the resistance of power and tightness.
A dictionary of the main categories of Russian culture from the beginnings until the 20th century; Absolutism, Antichrist, Aristocracy, Army, Bolshevism, Orthodoxy, Intelligentsia, Lenin, Metro, Tsar etc.
This paper discusses the genesis of a basic concept of moral discourse – the concept of “justice” [spravedlivost’] – in Russian culture. This study was inspired by the lack of Russian and foreign research of the evolution of the concept of “justice” in the Russian language. The methodological basis of this work is the late Wittgenstein’s philosophical principles of interpreting social phenomena through the real word usage. This paper presents historical study of “justice” on the basis of sources from the late 11th through the 20th century. The analysis consists of two stages: 1) Identifying the time of the appearance of a given word-concept in the Russian language and explaining its origins in its socio-cultural con- text; and 2) tracing the semantic evolution of the concept in connection with social and cultural dynamics.
In this article. the author tries to argue about how you can consider Soviet culture monolithic and not suggesting for the artist and the intellectual for any deviations from the official line.
It would seem that the totalitarian regime creates all the condition for eliminating the independent search for the individual style, nevertheless, in the depths of a totalitarian culture, resistance practice may appear.
The author gives a number of examples of such resistance in Soviet culture.
The book presents a collection of articles dedicated to the typological characteristics of the Russian culture in its historical development. Some articles deal with the specific Russian cultural concepts (such as "intelligentsia") other with interpretation of certain concepts (such as "Europe" or "monarchic power") in the specific Russian context. All the articles has a theoretical character with particular illustrations from Russian cultural texts. They are intended to demonstrate a general model which could be applied to other material. A large part of the book is devoted to the semiotic approach to icons. The same approach as a matter of principle can be applied to a different material and this is demonsrtated by all kinds of typological comparisons.
The interrelations between culture and economic development cause noticeable interest in the academic community in recent years, however a set of questions still remain open. In particular, there isn’t a lot of works about the interdependence of visual culture and economic practices. The paper shows the interdependence of accounting practices that ensure transparency in society, with the evolution of visual culture for the last one thousand years. Accounting history for this period is presented as a consequence of the stages which provide the increasing of transparency in economic units (or availability of information) to the actorsinterested in their activity – from owners to society in general. Visual culture is considered as set of objects suggesting their visual perception, and the technologies supporting them. Synchronism is shown between accounting revolutions and significant changes in visual culture and technologies: these are cultural innovations of the beginning of the 2nd millennium, period of the Renaissance, second half of XIX and end of the XX centuries. Joint periodization is offered for the accounting practices and visual culture, on the basis of changes in the mechanisms of transparency in society, i.e. technologies and instruments of information perception and cultural practices’ reproduction. It is shown that visual aspects and innovative technologies supporting them had the greatest impact on development of accounting from all aspects of culture, and this impact can be traced only in the context of the European culture.
This article explores protest tactics in Russian cities, stressing the liminalityof spatial contestation practices. In this authoritarian context, spatial contestation typically has a liminal character, where citizens employ strategic ambiguity of their actionsvis-a-vis (a) legal regulations, (b) official discourse, and (c) transcripts of legitimate beha-viour. Showing how urbanites develop creative and subversive infrapolitical forms ofresistance, the article contributes an analysis of the ways in which public space in thecity can be appropriated from below, temporary protest communities formed and activecitizenship claimed under non-democratic regime conditions.
The political process is a constant interaction between the power and opposition. The political process is a constant clash between the formal and informal, between direct speech and metaphors. Power always makes sense only if there is resistance. The power resistance is balanced in favor of its dialectical opposition. Practice protests are taking place at all political regimes, but not always the possibility of resistance are similar. In some political systems interlocutor on government and realization of the right to revolt are an essential political and moral principle. In other cases, in dictatorships, the right to revolt conquered by a hard struggle, not always being efficient and not always getting massive. The author shows how, depending on the cultural traditions of the images may vary resistance. Indeed, the figure of the rebellious person differently perceived in the political landscape. The discourse of resistance can be filled by individual practitioners of dissent, as well as robust tradition of protest. Relations between the power and rebellious man shows and interpreted by the author in a variety of subjects belonging to different cultures. From the point of view of the author, in the practices of rebellious man in his quest for freedom and demonstrate their own position, you can find both special and general, is equally emphasizes the integrity of the political process.