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News
May 25, 2026
'The Humanities Serve as a Conscience'
Maria Mizernaia studies Soviet literature and the history of book publishing. In this interview for the HSE Young Scientists project, she discusses plans to publish a novel about besieged Leningrad, AI-provoked reflections on what it means to be human, and how novels can help satisfy our dopamine hunger.
May 25, 2026
Is It Possible to Predict a Citys Life Based on the Shape of Its Neighbourhoods?
Is it possible to predict, based on the configuration of streets and buildings, where a café will open or where traffic congestion will occur? Participants in the Spatial Analysis and Modelling of Urban Processes research and study group use open data and machine learning to identify universal patterns. Alexander Sheludkov and Eduard Somov discuss the purpose of comparing cities, the need for new forms of urban statistics, and how open data is transforming approaches to urban studies.
May 22, 2026
HSE Graduates AI Project Wins at TECH & AI Awards
Daria Davydova, graduate of the HSE Graduate School of Business and Head of the AI Implementation Unit at the Artificial Intelligence Department of Alfa-Bank, received a prize at the TECH & AI Awards. She was awarded for the best AI solution for optimising business processes. The winners were determined as part of the VII Russian Summit and Awards on Digital Transformation (CDO/CDTO Summit & Awards).

 

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Свобода вне либерализма: пиндарическая ода и трансформация поэтики Старого режима

С. 212–250.
Rodin (Maslov) B.
Language: Russian
Keywords: М.В.Ломоносовпиндарическая одаПиндар
Publication based on the results of:
Mikhail Lomonosov and the rise of new literary forms in Russia (2015)

In book

Современная республиканская теория свободы
СПб.: Издательство Европейского университета в Санкт-Петербурге, 2015.
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В этой главе систематизированы и проанализированы географические наименования, а также наименования святилищ и других памятников материальной культуры, присутсвующих у Пиндара в Пифийских одах. ...
Added: February 18, 2026
Сакральная топография в Пифийских одах
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В этой главе систематизированы и проанализированы географические наименования, а также наименования святилищ и других памятников материальной культуры, присутсвующие у Пиндара в Пифийских одах. ...
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Pindar’s victory odes are fertile ground for scholarly research. Pindaric scholars elucidate Pindar’s often obscure verse by exploring various venues: they examine historical, cultural, and religious backgrounds of the victory odes (e.g. the Greco-Persian wars, the rule of Hieron in Sicily, religious cults referenced by Pindar); study Pindar’s poetic meters; establish generic patterns of the ...
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The task of this short paper is to show, using the example of v. 10–11 of Pindar’s Fifth Pythian Ode, that the semantics of the verb καταιθύσσω is misunderstood, and that this erroneous understanding has been recorded in almost all dictionaries, starting with the dictionary LSJ. As a result, the meaning of many poetic contexts, ...
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The article is devoted to some editions of Pindar's odes, which especially influenced the study of the works of this great ancient Greek poet. Beginning with the edition of Alda Manutius, which was published in Venice in 1513, and ending with the edition of the Pythian Odes edited by Bruno Gentili in 2012, the progressive ...
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Pindar’s P thian Eleven is dedicated to the victor of a Theban named Thrasydaeus in a running competition and is dated presumably 474 or 454 BC. There have been attemps to clarify the dating of the ode by analyzing intertextual links between the story of Orestes, which occupies a central place in the ode, and Aesch lus’ Oresteia, produced ...
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This paper is an attempt to clarify one puzzling place in Pindar’s Pythian Five , which has given rise to various interpretations and remains insufficiently clear. The central contention is that the first person in the third triad (lines 72-76) is neither the poet, nor the chorus, but a sort of amalgam, intentionally created by ...
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The article examines the didactical component of Pindar’s Pythian 8, which includes the Theban mythohistorical line — the plot of “Seven against Thebes” and the Epigoni’s march on Thebes. In this ode, Pindar instructs Aeginet Aristomenes, the winner of the Pythian Games, through Amphiaraus’ prophecy. Glorifying Aristomenes, Pindar instructs him not to become proud beyond ...
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В первой части статьи рассматривается номинативность языка Пиндара, т.е. превалирование имен над глаголами в личной форме, которая восходит к жаровым особенностям гимнической поэзии, и ее трансформация в переводах М.Л. Гаспарова и М.Е. Грабарь - Пассек. М.Л. Гаспаров усиливает эту черту, приближая оду Пиндара к русской декламационной поэзии. Перевод М.Е. Грабарь-Пассек скорее приближает текст Пиндара к ...
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Kostin A., XVIII век 2017 № 29 С. 21–49
This paper discusses notes and marginalia left by Trediakovsky in his copy of Lomonosov’s Rhetoric (1748), compared to the corrections made by Lomonosov in the second edition of his book (1759); one of the points of this discussion is to evaluate S. I. Nikolaev’s hypothesis, that Trediakovsky’s notes had notably influenced Lomonosov. Among 310 Trediakovsky’ ...
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The poetry of Mikhail Lomonosov and Aleksandr Sumarokov played a decisive role in the establishment of Russian syllabo-tonic versification. Lomonosov’s early iambs show a noticeable foreign influence, whereas the prosodic structure of Sumarokov’s poems was formed in a fundamentally different way from the very start. The research presented in this article provides a new understanding of the sources of the ...
Added: October 7, 2018
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