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Творчество Генриха Сапгира и поэзия конкретизма: от типологического схождения к творческому освоению
С. 79-90.
Since the Soviet audience became aware of the existence of the “concrete” poetry in the foreign literature, modern scholars have been repeatedly turning their attention to the similarity between European “concrete” poets and members of so called “Lianozov poetry school”. This research explores such similarity through works by Genrikh Sapgir, one of the most famous “Lianozov” poets. His familiarity with German “concrete poets” was predestined by similar development of their creative literary work, and resulted in G. Sapgir’s translations of “concrete” poems by Franz Mon, Eugen Gomringer and others. He also composed original poetry based on the principle of combination and permutation.
Pavlovets M., В кн. : Подробности словесности: Сборник статей к юбилею Людмилы Владимировны Зубовой. : СПб. : Свое Издательство, 2016. С. 251-258.
The article is concerned with the analysis of metapoetic statements of Genrikh Sapgir that were made by him in poetic form – in the shape of «programmatic» poems. In his work, the poet preferred to dispense with creative manifestos or forewords: there is extremely small number of them in Sapgir’s heritage. But at the same ...
Added: December 1, 2016
Zykova G. V., Вестник современного искусства "Цирк "Олимп"" 2019 № 31 С. 20-32
Transcript of an interview given by Vsevolod Nekrasov to Vsevolod Kulakov in 1990; features of concrett and conceptual poetry in Nekrasov' work are discussed. Edited and commented by G.V.Zykova ...
Added: June 12, 2020
Анна Родионова, Новое литературное обозрение 2022 № 176 С. 254-269
The article analyzes 1950s--1960s poetry of “Lianozovo school” (especially Igor Kholin and Genrikh Sapgir) in connection with the ideology of scientific and technological progress (STP) and its influence on the aesthetic system of XX century Russian literature. This paper examines how the hallmarks of early 20th century literature (which later influenced the Soviet official aesthetics) ...
Added: June 6, 2022
М. : Новое литературное обозрение, 2021
The book continues the research project “Non-canonical Classic Poet” (which is a part of series of books “UFO”, “Research library”), during which a number of compilations of articles and content dedicated to D.A. Prigov, V. Sorokin and V. Sharov have been already published. This is the first publication to be entirely dedicated to the ...
Added: August 30, 2021
Pavlovets M., Zeitschrift für Slavische Philologie 2018 Vol. 74 No. 1 P. 75-111
Representatives of the Soviet underground who chose to be autonomous from the censored literary and creative environment in the USSR, regarded their position as "double separation" from the pre-revolutionary and revolutionary culture of the Soviet Russia of 1920s on the one hand and from the world culture on the other hand. According to many of ...
Added: June 19, 2018
Pavlovets M., Toronto Slavic Quarterly 2017 № 61 С. 232-249
The article focuses on the role of Yevgeny Golovin as a translator and researcher of poetry of the European neoavantgarde, whose works had an important influence on some authors of the Russian literary underground ...
Added: January 18, 2018
Pavlovets M., Новое литературное обозрение 2014 Т. 130 № 6 С. 398-403
A report on the conference "History of Russian uncensored literature: persones, communities, production of newforms and canons". MSTTU, March 22, 2014 ...
Added: February 19, 2015
Pavlovets M., В кн. : Сусрети народа и култура. Меħдународни тематски зборник. : [б.и.], 2015. С. 147-164.
This article analyses the later G. Sapgir’s work – his novel “Armageddon”. Apocalyptic problematic of work is polemically sharpened against the eschatology "historical avant-garde" of the first third of the 20th century and the eschatological expectations "nuclear war" of the late Soviet time. It rather takes the form of reflection on "finalistic" culture concept, which ...
Added: August 24, 2015
Pavlovets M., В кн. : Филологические традиции в современном литературном и лингвистическом образовании. Т. 1. Вып. 11.: М. : МГПИ, 2012. С. 154-161.
Статья посвящена освоению наследия русского футуризма авторами неподцензурной литературы второй половины ХХ века ...
Added: March 6, 2015
Pavlovets M., Новое литературное обозрение 2013 Т. 1 № 119 С. 426-433
Report on the work of the scientific section "uncensored and" legal "Russian literature in the twentieth century: Forms of Interaction", held at the Scientific-practical conference "Philological tradition in contemporary literary and linguistic education" (Moscow State Pedagogical Institute, March 17, 2012) ...
Added: March 9, 2015
Pavlovets M., , in : The Oxford Handbook of Soviet Underground Culture. : Oxford : Oxford University Press, 2021. Ch. 15.
The Lianozovo school–group was one of the first creative groups of the underground, arising in the second half of the 1940s and lasting until the beginning of the 1970s, a time when personal relationships and related outlooks on art were enough for practitioners of unofficial art to constitute membership in a common circle without, however, attempting at the same ...
Added: February 15, 2022
Pavlovets M., Новое литературное обозрение 2018 Т. 5 № 153 С. 252-268
Based on Genrikh Sapgir’s poetry, including some previously unpublished texts, the article studies different forms of destruction of the word structure, from the “half-worded poetry” and “blank” texts to the replacement of absent or destructed text with “word equivalents”. We can sum up that Sapgir’s poetry falls somewhere in between the new- and the post-avant-garde ...
Added: September 26, 2018
Zykova G. V., В кн. : Карабихские научные чтения: музей-усадьба-литература. : Яр. : ООО "Академия 76", 2018. С. 35-40.
An article describes one of the earliest prose texts (never published or even known about) of Vsevolod Nekrasov, Russian concretist and conceptualist: it adds some significant information on "second avant-garde" notions of "classical literature". ...
Added: July 19, 2018
Pavlovets M., В кн. : «Лианозовская школа»: между барачной поэзией и русским конкретизмом. : М. : Новое литературное обозрение, 2021. С. 32-59.
The publication presents the first section of the book ““Lianozovo School”: Between The Barrack Poetry and The Russian Concretism” called “Lianozovo in contexts”. It is dedicated to the issue of the genesis of the definition of the “Lianozovo School” as part of the “Russian Concretism” phenomenon that has already become quite common. By placing the ...
Added: September 21, 2021
Zykova G. V., Вестник Санкт-Петербургского государственного университета технологии и дизайна. Серия 3: Экономические, гуманитарные и общественные науки 2014 № 3 С. 83-88
The attention which was shown to Vs.N.Nekrasov’s poetry (not only to his visual texts) by artists of different generations and styles, forced the poet discuss the border between verbal and visual arts, that loosens in the twentieth century, but remains nevertheless permanent and significant. This awareness of the border was inevitable in a situation of ...
Added: February 2, 2015
Pavlovets M., В кн. : Россия — Германия: литературные встречи (после 1945 года). : ИМЛИ РАН, 2022. Гл. 25. С. 438-467.
Representatives of the Soviet underground who chose to be autonomous from the censored literary and artistic environment in the US SR, reg arded their po sition as a “double separation” from the pre-revolutionary and revolutionary culture of the Soviet Russia of the 1920s on the one hand and from the world culture on the other ...
Added: October 27, 2022
СПб. : RUGRAM_Пальмира, 2022
Сборник посвящен проблемам изучения творческого наследия авторов неофициальной культуры и составлен на основе материалов научных конференций и семинаров, организованных кафедрой истории русской литературы Санкт-Петербургского государственного университета совместно с Российским государственным гуманитарным университетом (РГГУ, Москва) и Центром Андрея Белого (АБЦ, Санкт-Петербург) при участии Высшей школы экономики и Трирского универитета: «Неподцензурная поэтика: 1950-1980» (23-25.12.2017); «Ленинградская неофициальная литература» ...
Added: July 25, 2022
Pavlovets M., Вестник Санкт-Петербургского университета. Серия 9. Филология. Востоковедение. Журналистика 2014 № 4 С. 156-163
"Designing" the complete works of his own is an important part of Aleksander Kondratov's creations, a neofuturist poet from Leningrad. One of the prospects of his future collection, "My Trinities" makes it possible to restore the poet's concept to create "The Concretions", a volume of concretist texts, which has not been fully implemented. These texts ...
Added: January 29, 2015
Pavlovets M., В кн. : Poetik des Alltags: Russische Literatur im 18.-21. Jahrhundert / Поэтика быта. Русская литература XVIII-XXI вв. : Мюнхен : Herbert Utz Verlag, 2014. С. 299-306.
Der sowjetische Alltag in der Lyrik Lev Losevs
Lev Losev ist einer der bedeutendsten Vertreter der sogenannten „philologischen Schule“ der russischen unzensierten Lyrik. Der Alltag interessiert den Schriftsteller hinsichtlich der Verbin-dung der Formen von Alltäglichkeit mit der jeweils entsprechenden Epoche, deren Kultur und sozialen Beziehungen. Da Losev von Geburt an zum literarischen Milieu gehörte (er kam ...
Added: October 27, 2014
Pavlovets M., В кн. : Сапгир, Г. Собрание сочинений. В 4 томах. Том 3: Глаза на затылке. . Т. 3.: М. : Новое литературное обозрение, 2024. С. 953-978.
Afterword to volume 3 of the collected works of Heinrich Sapgir "Eyes on the back of the head". ...
Added: February 19, 2024
Pavlovets M., Studia Litterarum 2023 Т. 8 № 2 С. 10-31
The article is devoted to the neo-avant-garde literary trend that emerged in the Soviet underground of the 2nd half of the 20th century. The paper states that the use of the term “neo-avant-garde” with respect to post-war avant-garde has already become conventional in European art and art studies, however it has not yet established in ...
Added: June 17, 2023
Zykova G. V., Вестник современного искусства "Цирк "Олимп"+ TV" 2019 № 30 С. 10-25
Transcript of an interview about Lianozovo art group, given by Vsevolod Nekrasov to Vladislav Kulakov in 1990. Edited and commented by G. V. Zykova. ...
Added: June 12, 2020
М. : РГГУ, 2022
In a collective scientific study with the participation of literary critics and linguists from different cities of Russia, Belarus, Germany, Italy, Serbia and China an attempt was made to identify the main names that are most significant for Russian poetry of the late twentieth century, as well as to prove their originality and significance for ...
Added: November 14, 2022
Pavlovets M., Вестник Русской христианской гуманитарной академии 2017 Т. 18 № 1 С. 269-275
For the Russian uncensored poets of the second half of the 20th century there was an acute problem of building their own creative continuity with respect particularly to the part of the Russian culture, which traditions, according to many of them, were artificially interrupted during the implantation of socialist realism. Thus, according to Lev Losev, ...
Added: June 19, 2018