The article deals with the political, theological and cultural dialogue between papal Rome and Imperial Constantinople. The period of 6-8th centuries is the one of Byzantine domination in Rome, and a number of Roman frescoes belong to this period, whose style and iconography give insights into the theological and political polemics, or into the cultural influence of early Byzantine art on the local tradition. Art works are rarely used or not used at all as sources in the study of relations between the two capitals and iconoclasm. This study can helpfully contribute to the overall research view on the subject
In addition to an exhaustive anthology with over fifty historical documents written between 1913 and 1964 translated directly from Russian - several of them previously unpublished - this publication includes essays and texts by Boris Groys, Manuel FontÃ¡n del Junco, Christina Kiaer, Ekaterina Degot, Fredric Jameson, Irina Leytes, Alessandro De Magistris, John Bowlt, Hubertus Gassner, Eckhart Gillen, Aage Hansen-LÃ¶ve, Michael Hagemeister and Evgeny Steiner. (From the editorial review).
International art criticism. Review of the exhibition "Special Fund, 1937-1939," National Art Museum of Ukraine, Kiev.
The second publication of the international art center Kunsthaus Bregenz Arena (Austria).
The article is concerned with the notions of technology in essays of Ernst and Friedrich Georg Jünger. The special problem of the connection between technology and freedom is discussed in the broader context of the criticism of culture and technocracy discussion in the German intellectual history of the first half of the 20th century.