Мандельштам и… Архивные материалы. Статьи для энциклопедии. Работы о стихах и прозе Мандельштама
In a new book of L.Vidgof one can find large and important information concerning Osip Mandelstam’s biography; in addition, there are articles analyzing some poet’s works.
The article systematizes the most general information about O. Mandelstam as a translator and about translations of the work of O. Mandelstam into foreign languages.
Current state of the Russian poetry and its history in the «age of extremes» (Eric Hobsbawm) are among the main scholarly interests of Ilya Kukulin, a cultural historian and a sociologist of culture. This book is a collection of his articles and essays on poetry written in 2001—2018: historical studies; papers tracing the new aesthetic and social trends in poetry; and texts focused on particular today’s authors. These works are arranged into four cycles (corresponding with the four parts of the book) and allow to follow several “main tracks” in development of the Russian poetry of the 20th and 21st centuries: poetic creativity as a way of emancipation from everyday social pressure and of creation of the new view(s) at the world; influence of censorship and self-censorship on development of literature; involvement of Russian poetry into international cultural movements. The scope of the book embraces the authors from Anna Akhmatova and Ossip Mandelshtam to the young poets who made their debuts already in the 21st century.
The publication of poems by Osip Mandelstam with an academic commentary
An article about a poem by Arseny Tarkovsky
Article about six lines of Osip Mandelstam
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.