Ethics of Screenwriting: New Perspectives
The paper claims all metaphysical views could be divided in two classes: metaphysical moral exclusivism that is the idea of the otherworldly nature of morality, and metaphysical moral inclusivism that is the idea that morality is an intrinsic component of the reality. The originality of the proposed separation is justiﬁ ed by historical review and the comparison with known ethical concepts. We also consider how the metaphysical notions of morality should correlate with the methodology of the empirical study of moral consciousness. We show that asking the question about the place of morality in the structure of reality imposes some theoretical constraints upon the Is-Ought Problem.
This article aims at analyzing objects as signs of filmic aesthetic. Objects acquire several functions in films: Sometimes they are only scene objects or support a particular film style. Some objects are specially chosen to translate the characters’ interior or the directors’s aesthetical or even his ethical commitment with the narrative. In order to understand such functions and commitments this paper analyze objects of Wim Wenders’ films and apply an original systematic, which is based on Peircean semiotics and intermedial studies. This theme involves Cinema and Design, but it also embraces points of view of other disciplines, such as literature studies, history, psychology and sociology.
I discuss the ontological nature and heuristic value of psychedelic experience. I argue that psychedelic phenomena may manifest the activity of certain mental formations and brain mechanisms that otherwise remain hidden. Thus, psychedelic phenomena can be heuristic tools and intriguing objects of the scientific study. I consider two types of psychedelic phenomena in particular. The first is the moral cleansing that may accompany a psychedelic trip. The second is the appearance of visual and auditory hallucinations. I establish a unified explanatory ground for the phenomena that are commonly viewed as distinct in their genesis. I explain both types of phenomena as products of the amplified imaginative ability of the brain under a substance’s influence. I suggest that the activation of imagination causes an increased empathy and thus accentuates moral feelings. I propose the hypothesis that hallucinations are mental objects of a quantum nature. I argue that no ontologically separate reality stands behind psychedelic visions.
The problem of free will remains one of the primary unsolved problems of John Sealre’s philosophy. In his book ‘Freedom and Neurobilology’ (2007) Searle proposes two alternative hypothesis that would allow one to make sense of the nature of freedom, but ultimately finds both of them unsatisfactory. In this paper we propose a modified version of Searle’s argument, which attempts to reconcile the common sense intuitions with physiological determinism on the basis of Kahneman’s theory of cognitive systems. Specifically, we focus on the collision between the fast and the slow cognitive system as the basis for the experience of freedom.
The present catalogue contains abstracts for some 150 volumes, among which books, periodicals, miscellanies, published by the Institute of Philosophy of the Russian Academy of Sciences, the principal institute in Russia for academic research in all kinds of philosophical knowledge. These works, written by eminent Russian scholars, cover such fi elds as the history of Russian, Western and Oriental philosophy, ethics and aesthetics, synergetics and epistemology, social and political philosophy and concentrate on problems that have attained particular importance in the age of globalization and growth of national self-consciousness.
Angesichts der gegenwärtigen Belastungen in den Sozialsystemen, insbesondere in der Kranken- und Rentenversicherung, wird das Solidarprinzip, auf dem diese Systeme beruhen, in den aktuellen politischen Debatten mehr oder weniger radikal in Frage gestellt. Bei den Diskussionen um die Notwendigkeit des Abbaus bzw. des Erhalts der sozialen Solidarsysteme wird nur selten der systematische Stellenwert des rechtlichen wie ethischen Prinzips der Solidarität mit reflektiert. Die Beiträge des vorliegenden Bandes setzen sich teils mit der historischen Herkunft wie mit dem begrifflichen Bedeutungsspektrum von Solidarität , aber auch mit missbräuchlichen Verwendungen des Wortes auseinander. Teils reflektieren sie den Stellenwert, die begrifflichen Bestandteile und die Begründungsformen des Solidaritätsprinzips im Recht und in der Ethik. Und schließlich behandeln sie die Rolle des Solidaritätsprinzips in der Friedensforschung und in der Debatte um die politische Bedeutung der Kunst.
The present article continues the investigation of the Soqotri verbal system undertaken by the Russian-Soqotri fieldwork team. The article focuses on the so-called “weak” and “geminated” roots in the basic stem. The investigation is based on the analysis of full paradigms (perfect, imperfect and jussive) of more than 170 “weak” and “geminated” Soqotri verbs.