Селима и Гассан, или Великодушие султана. Комическая опера о несчастной любви императрицы
We publish here the complete tetx of the questionnaire concerning the state of the Russian Enpire which Diderot presented to Catherine II, followed by her replies. It is published following the manuscript found in the Prussian Archives in Berlin. An introduction presents the history of the different publications of the text, and of the Berlin manuscript.
The cycle "Imitations of the Ancients" (1821) is described in the article as an episode from Batyushkov's reception-derived practices. Sources for three of the six miniatures in "Imitations" are found (fragments of Saadi's "Gulistan"as adapted by J.-H. Herder), as well as the syntactic-compositional model for another miniature ("Когда в страдании девица отойдет..."/"When the maiden, suffering, passes away..."). Analysis of how this model functions provides the basis for a hypothesis for precising the manner in which topoi in this text are linked to its plot.
The first part of this book is a collection of essays by an international set of scholars, schedding new light on Lydia Ginzburg's contribution to Russian literature and literary studies, life-writing, subjectivity, ethics, the history of the novel and trauma studies. The second part is comprised of six works by Ginzburg that are being published for the first time in English translation.
The article is a critical review of the current condition of canon formation studies in Russia in its connection to Pushkin epoch and ‘golden age’ of Russian Literature. Besides, article reviews Pushkin reading which took place at the University of Tartu