В ногу со временем. Сокращенное пребывание в настоящем
The article considers four approaches to the interpretation of images and mythologems from the sphere of Western esotericism in mass culture. The first approach is based on the depth psychology of C. G. Jung and aims to identify archetypes common to the whole culture. The second is based on the reductionist theories of Marx and Freud, its main task is to reduce religious imagery to social and psychological realities. The third approach is represented by C. Partridge theory of occulture, in which the emphasis is made on tracing the historical genesis of esoteric imagery in modern culture. The fourth approach is expressed in the writings of J. Kripal, it synthesizes the historicism of the theory of occulture with the understanding of mass culture as a way of self-knowledge, revealing the deep spiritual essence of man
The book by art historian Sergey Kavtaradze aims at explaining to the reader as simply as possible what architecture is as an art. The author reveals how the mechanisms of perception of an architectural structure work and why one enjoys it aesthetically. By popularizing the history of European styles and the logic of their development the book teaches how to see and analyze on your own the plastic qualities of architectural form and countless layers of meanings the architect intended to convey.
The book addresses a wide audience interested in architecture and the history of art.
The book addresses a wide audience interested in the history of art and art market in the 20th and 21st centuries, as well as scholars specialising in cultural studies and art economy.
This article examines the role of archivists in shaping the capacity and the structure of a university’s memory. Drawing on sources such as laws and ministerial instructions, the authors analyze the government’s archive policy with regard to universities and how professors and archivists were taking part in its implementation. Their participation included sorting documents and attributing them to individual ‘cases’, destroying some of the ‘unnecessary’ documents and preserving others that were designated for destruction. Based on information from service records and university reports, the article tracks changes in the corporate status of university archivists in nineteenth-century Russia.
The article considers the Views of L. N. Tolstoy not only as a representative, but also as a accomplisher of the Enlightenment. A comparison of his philosophy with the ideas of Spinoza and Diderot made it possible to clarify some aspects of the transition to the unique Tolstoy’s religious and philosophical doctrine. The comparison of General and specific features of the three philosophers was subjected to a special analysis. Special attention is paid to the way of thinking, the relation to science and the specifics of the worldview by Tolstoy and Diderot. An important aspect is researched the contradiction between the way of thinking and the way of life of the three philosophers.
Tolstoy's transition from rational perception of life to its religious and existential bases is shown. Tolstoy gradually moves away from the idea of a natural man to the idea of a man, who living the commandments of Christ. Starting from the educational worldview, Tolstoy ended by creation of religious and philosophical doctrine, which were relevant for the 20th century.
This important new book offers the first full-length interpretation of the thought of Martin Heidegger with respect to irony. In a radical reading of Heidegger's major works (from Being and Time through the ‘Rector's Address' and the ‘Letter on Humanism' to ‘The Origin of the Work of Art' and the Spiegel interview), Andrew Haas does not claim that Heidegger is simply being ironic. Rather he argues that Heidegger's writings make such an interpretation possible - perhaps even necessary.
Heidegger begins Being and Time with a quote from Plato, a thinker famous for his insistence upon Socratic irony. The Irony of Heidegger takes seriously the apparently curious decision to introduce the threat of irony even as philosophy begins in earnest to raise the question of the meaning of being. Through a detailed and thorough reading of Heidegger's major texts and the fundamental questions they raise, Haas reveals that one of the most important philosophers of the 20th century can be read with as much irony as earnestness. The Irony of Heidegger attempts to show that the essence of this irony lies in uncertainty, and that the entire project of onto-heno-chrono-phenomenology, therefore needs to be called into question.
The article is concerned with the notions of technology in essays of Ernst and Friedrich Georg Jünger. The special problem of the connection between technology and freedom is discussed in the broader context of the criticism of culture and technocracy discussion in the German intellectual history of the first half of the 20th century.