Европейская поэтика. XIX век. Энциклопедический путеводитель
The paper looks at the aesthetics and at the theory of one of the key figures of French Symbolism, Stéphane Mallarmé, who largely determined the future development of Europeen poetry
The paper analyzes certain key moments in the appearance of Symbolist poetics in the works of Stéphane Mallarmé, for whom the theoretical foundation for new ideas regarding art, and reflection on the nature and mystery of his own oeuvre were both of primary importance. Special attention is given to such essential articles of the poet as “Artistic Heresy. Art for everyone” , “The Crisis of the Verse”, etc., with a focus on the principal elements of his theory of the symbol, which led to the creation of a new poetic language.
The article concerns the novels by Norman Mailer written in 1980-2000. It considers the main themes and problems of the works studied. Social and cultural context of the books is distinguished as one of the most significant in Mailer's controversial poetics. The writer intended both to follow and to transform traditions of literature of realism and postmodernism.
A. S. Nemzer points out a large series of reminiscences of folcloric and classic literary texts in Solzhenitsyn's story. Preserving the memory of Matriona (who perished but who lives in literature) is inseparately linked to a restoration of a living Russian language and Russian literature.
The poem “Мне выпало счастье быть русским поэтом…” (1981) was first published in the book Voices Beyond the Hills, where it concluded a mini-cycle of four octets: “Год рождения не выбирают…” (1978), “Я слышал то, что слышать мог…” (1981), “Да, мне повезло в этом мире…” (1982), and “Мне выпало счастье быть русским поэтом…” (Самойлов 1985: 69-71); cf. (Самойлов 2006: 256, 305, 311, 301). Although Samoilov did not give an overall title to these texts as a group, they undoubtedly form a conceptual unity. In addition to the texts’ common themes (a summarization of life events), confessional tones, and equal lengths (the octet is the most common form in Voices Beyond the Hills: 36 out of 131 poems, about 27.5%), their graphical treatment is of note.
The book describes the problem of transition of different structures of literature in the austrian literature.
The paper is focused on the study of reaction of italian literature critics on the publication of the Boris Pasternak's novel "Doctor Jivago". The analysys of the book ""Doctor Jivago", Pasternak, 1958, Italy" (published in Russian language in "Reka vremen", 2012, in Moscow) is given. The papers of italian writers, critics and historians of literature, who reacted immediately upon the publication of the novel (A. Moravia, I. Calvino, F.Fortini, C. Cassola, C. Salinari ecc.) are studied and analised.
In the article the patterns of the realization of emotional utterances in dialogic and monologic speech are described. The author pays special attention to the characteristic features of the speech of a speaker feeling psychic tension and to the compositional-pragmatic peculiarities of dialogic and monologic text.