Андрей Белый: автобиографизм и биографические практики
The article dwells on the character of the impact of the dramatic poem "Peer Gynt" by Henrik Ibsen on "Northern Symphony" by Andrey Bely. The analysis is based on Bely''s articles concerning the Norwegian playwright''s oeuvre of and on the comparison the two works'' systems of images, which are claimed to be parallel. However, Bely turns the "real" layer of the dramatic poem into the "symbolic" one of the symphony.
This book examines shifts in the meaning of montage in different historical situations and in various artistic media, including literature, cinema, theater, and visual arts. Its scope includes literature and art of Soviet Russia (both official and unofficial), Germany, France, and the United States from 1910 to the 2010s. While this book does not provide a cohesive historical sketch, it delivers comparative studies on artists whose works problematize common understandings of the avant-garde in art history.
This study argues that different types of artistic montage correspond to different conceptions of history, dividing the history of montage aesthetics and techniques into three periods: (1) constructing, (2) post-utopian, and (3) historicizing or analytic montage. This book intends to demonstrate how the revolutionary montage aesthetics of the 1920s was reinterpreted and adapted for critical analysis of utopian consciousness in unofficial literature and art of the 1960s and 1970s. This change became possible because unofficial art, unlike Soviet socialist realism, was connected with the experiments of European and American radical modernism and postmodernism.